I doubt whether more words have ever been written, or spoken, about a new album, not just at the time of its release but also ahead of its appearance. So what can I add that hasn't already been written or said about the Rolling Stones "Hackney Diamonds"? In truth probably nothing [but that's not going to stop me], but is it really as good as everybody has said? Undeniably the answer is yes it is as good, or perhaps even better, because this is simply the Rolling Stones back to their imperious best, nothing more, nothing less, with twelve tracks that mix Stones style sleazy rocking and rolling with their take on country blues; funk, soul, and gospel; even punk; and of course the blues.
Lead single and opener "Angry" is a punky rocker that with its bursts of staccato guitar from Richards and Woods has the potential to be a constant in their live set. Second track "Get Close" with Elton John tinkling the ivories and a sumptuous sax break form James King is an archetypical big Stones sleazy rocker that can hold its head-up among their '70's oeuvre as Jagger sings of "wanting to get close to you". Things then calm down with the power-ballad "Depending On You", it's another with potential to become a classic, just listen for that moment when Steve Jordan's kick-drum comes in.
Possibly my favourite track, or at least a contender for my favourite, "Bite My Head Off" featuring Paul McCartney riffing on scuzzy bass guitar is another hard rocking punky number that could give the safety-pinned spikey-haired upstarts of the class of '76 a run for their money without breaking into a sweat. "Whole Wide World" that follows keeps up the rocking tempo, another with punky undertones but it's set apart by its sheer quality [and the guitar solo]. And after the rocking, the country blues "Dreamy Skies" calms things down, the Stones have always enjoyed a touch of the hillbilly honky-tonks and this one is up there with the best of them in the "Dead Flowers" mould.
"Mess It Up" is a mid-tempo rocker with a touch of funk as Jagger dusts down his falsetto before Elton John returns joining old boys Charlie Watts and Bill Wyman for the straight-ahead snarling rocker "Live by the Sword", it's another that have could have come from the Stones' early seventies catalogue. "Driving Me Too Hard" that follows is a mid-tempo rocker with touches of the Stones '80s template before the beautiful sumptuous stripped-back ballad "Tell Me Straight" has Richards taking-over the vocal duties,,it's not quite up there with "Thief In The Night" but I've always enjoyed these Richards' interludes and this one is no exception, my only complaint is that at less than three minutes it's too short.
Penultimate track "Sweet Sounds of Heaven" was the second single released ahead of the album. With Lady Gaga and Stevie Wonder sitting-in this gospel-tinged soul number is nothing short of gob-smacking with its "improvised" coda putting it beyond perfection, even at seven minutes plus it's too short. Changing direction and closing the album is a simple stripped-down cover of Muddy Water's "Rolling Stone Blues" with Jagger showing he's lost none of the touches that made him one of the all-time best blues harmonica players; is this a way of closing the circle that started with a Muddy Waters record on platform two of Dartford railway station sixty-two years ago?
And that's it. These "Hackney Diamonds" may have been a long time in coming but they're quintessentially the essence of the Rolling Stones, a mix of styles yes but there's not a duffer amongst them, and as an album it's a near perfect 11 [I could argue that in parts it's perhaps a little overproduced but that's splitting hairs]. You may perhaps quibble with its lack of originality, the Stones have never been scared to borrow from others but with "Hackney Diamonds" they've stuck close to the knitting drawing inspiration from across their years and not repeating past mistakes by being influenced by short-term musical zeitgeists. If this turns out to be the Stones' last studio release [and on the basis of this showing let's hope there's still more to come] then they are going out on a high and with contributions from friends, peers, contemporaries and old boys this is more than just another record, it's a celebration of their incredible longevity and the esteem in which they're held by their peers, disappointingly though 30 year veteran sideman bassist Darry Jones doesn't put in an appearance.
5 stars, probably the best new release this year, certainly the longest awaited return to form.
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Hackney Diamonds
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Track Listings
1 | Angry |
2 | Get Close |
3 | Depending On You |
4 | Bite My Head Off |
5 | Whole Wide World |
6 | Dreamy Skies |
7 | Mess It Up |
8 | Live By the Sword |
9 | Driving Me Too Hard |
10 | Tell Me Straight |
11 | Sweet Sounds of Heaven (Feat. Lady Gaga) - The Rolling Stones, Lady Gaga |
12 | Rolling Stone Blues |
Product details
- Product Dimensions : 14.5 x 12.9 x 1.1 cm; 102 g
- Manufacturer : Universal Music
- Manufacturer reference : 0602458122565
- Label : Universal Music
- ASIN : B0CH3PH7DB
- Country of origin : Germany
- Number of discs : 1
- غ Rank: 239 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- Customer reviews:
Customer reviews
4.7 out of 5 stars
4.7 out of 5
7,105 global ratings
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5 out of 5 stars
Got Me Rockin!
Hackney Diamonds was definitely worth the wait! I was instantly pulled in from start to finish. The Rolling Stones still sound great today! I also love the artwork and the special guest appearance list. Thank you for your music! 🤘✌️
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Top reviews from United Kingdom
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- Reviewed in the United Kingdom on 6 November 2023
- Reviewed in the United Kingdom on 16 December 2024Not played it all yet, but will be a very good addition to my Stones collection.
- Reviewed in the United Kingdom on 16 December 2024The Stones…… nothing more to say..
- Reviewed in the United Kingdom on 7 January 2024Veteran,perennial,legendary rockers: The Rolling stones - released their first album of original songs in 2023,for the first time since 'A bigger bang' in 2005.no,I couldn't belive it was that long either.apart from Blue & Lonesome (a covers version of blues songs) in 2016 - the wait was finally over with the release of Hackney Diamonds in October of said year ('23).
After several listens to it - I can firmly say it's well worth the wait.
Opening track and lead single: Angry - sees The Stones in typical bar room bombast rocking mode,similar feel to next track; Get close (superb sax solo by James King) 🎷) and the more mellower - Depending on you - featuring one of two appearances by Elton John on piano 🎹.
Bite my head off - and the guests keep on coming - with Paul McCartney on Bass guitar 🎸 this time!
Next up: Whole wide world - both upbeat rockers' and vintage Stones in style and feel - superb!
Change of pace next with Dreamy skies: going back to their roots with a delta blues type song with superb authentic Dobro? Type guitar used to beautiful effect and played superbly by Keith Richards.
Let's get rocking again with; Mess it up,followed by Live by the sword Both featuring the late Charlie Watts on drums - listened to with added poignancy since the Rolling Stones (almost) original drummer's passing in August 2021 🥁😇
Live by sword also features; Bill Wyman on Bass g (long-time former Stones member) - and that man again - Elton John - on piano.retired from touring but not from music,it seems - what a line-up!
Driving me too hard - a classy melodic ballad with superb guitar solo by Ronnie wood? on this occasion.a worthy mention to Matt Clifford for his standout,distinctive piano/organ playing on this track.
Tell me straight: sees Keith Richards on lead vocals on this melodic,easy going ballad.
Penultimate track: Sweet smell of success - is for me the best song on the entire album.
I have (deliberately) up till now,not mentioned Mick Jagger's contributions to this latest Stones album: his vocal prowess throughout HD's is superb - but is a true star on SSOS!
Along with post-millennial diva and icon Lady Gaga duetting with Jagger on this gospel music epic - listen to the raucous choir,Stevie Wonder on piano...James King on saxophone (again) and superb trumpet solo (giving more of a feel of a brass section) by Ron Blake.with a false end,then reprise - my praise for this song is priceless!
Final/closing track: Rolling Stone blues: is a literal title explaing the music within the track 🤔 definitely another 'going back to their roots' of blues and 'real' R&B music - what you would find on the Blue & Lonesome album.
Conclusion of: a fine,consistent effort by the Rolling Stones on the occasion of their 'comeback' album of new and original compositions.
Doing well commercially as I write these review notes: second (non consecutive) week at no 1 in all important Christmas UK albums chart week - not bad going after six decades of making music together.
Steve Jordan takes up the role of drummer in rather difficult circumstances after Charlie Watts' death - but carries it off superbly!
An excellent album by the Stones.not quite Let it bleed and Sticky fingers standard's,i'd say.but certainly a jolly fine runner up - that's Hackney Diamonds for you - enjoy!
PS: superb sound quality and feel.
Produced by Andrew Watt.
PPS: 4.5 star rating for complete accuracy!
NB: dedicated to Charlie Watts on sleeve notes 🥁🎶🙏
- Reviewed in the United Kingdom on 1 December 2024Newest album from my most favourite band The Rolling Stones
Happiest is on maximum
BBE
Best Band Ever, by me
Top reviews from other countries
- exFSSReviewed in Canada on 28 December 2024
5.0 out of 5 stars Great Stones album
This Stones' album reminds me of the older Stones, great rock and especially the country-style ballads. Still rocking after all these years.
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OTÁVIO EUGÊNIO RODRIGUES DE OLIVEIRAReviewed in Brazil on 9 December 2024
5.0 out of 5 stars A dinamica dos Stones é unica, apesar de suas cronologias .
Stones de volta aos Blues .
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Leonardo NavarroReviewed in Mexico on 6 December 2023
5.0 out of 5 stars Excelente !
Después de tantos años de espera, un nuevo disco de los Stones, es bueno !
- KarenMReviewed in the United States on 21 October 2023
5.0 out of 5 stars The Rolling Stones come roaring back with the energetic and fun album Hackney Diamonds
The Rolling Stones come roaring back with the energetic and fun album Hackney Diamonds. As one critic aptly put, they have done it all and have nothing to prove and at the same time, something to prove. After 2 decades of sold out stadium touring with happy fans and rave reviews, could they go back into the studio and come out with a great new album of original music? The answer is a resounding yes! Defying all odds, with an 80 year old singer Mick Jagger and guitarists Keith Richards, soon to be 80, and Ronnie Wood, 76, they have done the impossible and put out a fantastic record, the first with new material in almost 20 years.
Jagger continues to defy time in all aspects. Sure studio effects help, but he has no business sounding this good at age 80. While all his contemporaries lost a lot of their vocal ability long ago, including Robert Plant, Roger Daltry, Paul McCartney, Elton John, etc., Jagger sounds just as good as he did in his 20s with no loss of vocal range either. Furthermore, as evidenced by the 7 song live performance at the Album Release Party in a NYC club the night before the album came out, he was running, dancing, sprinting, jumping, and prancing all over the stage. Indeed, sitting in the front row, Daniel Craig, AKA James Bond, was shaking his head in disbelief by what he was seeing. Decades ago Richards was removed from “The Next Rock Star To Die List,” and we are resigned to the fact that he will outlive all of us.
It is not just Jagger’s singing and lyrics, of which he said in promotional interviews that he wrote about 80% of the lyrics, the guitar playing by the duo of Richards and Woods is phenomenal. Their playing at all speeds and all over the map, and always sounding so good, seems impossible for guys who surely must have significant arthritis in their hands. Neither ever entered “The Best Guitarist” contest, but decades of perfecting and maintaining their craft makes them world class, and it is clearly evident on this record. Of course the song writing ability of Richards is always what has always separated him from other great guitarists. A few years ago, he put it in perspective when talking about former Stones lead guitarist Mick Taylor. “He is a virtuoso guitar player, but when he quit the band, he found out the hard way, that is all he is”.
The lead-up promotion to the album hyped the famous guests appearing on the album. I would say the famous guests neither added nor detracted from this great album and were essentially superfluous. As new drummer Steve Jordan offhandedly quipped, “They were unnecessary” and I agree. Interestingly, the famous guests were all challenged and put in roles completely unfamiliar to them. Rock/Pop legend McCartney appears on a punk rock song and does something he has never done in his career, a bass solo. Crooning balladeer Elton John is playing piano on a heavy, raunchy hard rock song. Pop star Stef Germanotta (“Lady Gaga”) appears on a Gospel ballad. Stevie Wonder who last joined the Stones more than 50 years ago as the warm-up band for their ’72 tour, comes out of retirement to play piano and organ on the Gospel ballad.
So, just how good is this record? Well, I will not fall into the easy and silly trap of, “This is their best record since xyz…” I will just say it is an awesome record, and while not among their masterpieces (think Let It Bleed, Some Girls, Sticky Fingers, etc.), it is better than their weakest efforts (think Satanic Majesties, their early ‘60s pre Satisfaction cover albums, Dirty Work, etc.), and it compares favorably with their great middle efforts (think Tattoo You, It's Only Rock ‘N Roll, Voodoo Lounge, Black And Blue, etc.).
Absent completely from this album is long time touring bassist Daryl Jones, who has never been an official member of the band “because he is not English.” Fear not, he was right back on stage playing live with them at the Album Release Party. Instead, bass duties on this album were handled by practically a different guy on each song, including Richards, Wood, McCartney, new producer Andy Watt, and the return of original band member Bill Wyman. Wyman, now 86, appears on one song. Only years later did the truth come out as to why he quit the band. After decades of touring the world, oddly and suddenly at age 55, he became terrified of flying on airplanes and had to quit in the early 1990s. While the rest of the band were really pissed off at him for a few years, Wyman says, “We remain close friends, and exchange cards every birthday and at Christmas.” Due to his fear of flying, he had to take the Chunnel train from his home in France to England to remotely record his bass overdub for the song. He of course declined the invite to the Album Release Party.
Here are the songs:
Angry – The lead single is a great opener with catchy lyrics, great beat and guitars. It is compared to Start Me Up, but not quite that good, but solid. Hip and up and coming producer Andy Watt, a lifelong Stones fan who wore a different Stones concert shirt to every recording session, co-wrote this and the next 2 songs with the Glimmer Twins Jagger and Richards.
Get Close – This is a mid-tempo rock song with a chorus that grabs you. It sort of reminds me of the Ramones ‘70s minor hit “I Want You Around.” All the critics are raving about this song, but I don’t think it is among the best on this record.
Depending On You – A love-lost ballad that sounds great, but not at the level of their greatest ballads, that comes later in this album.
Bite My Head Off – Here is where the album really takes off with 5 classics in a row! This is a Punk rock song with acid lyrics, great riff, and going at full speed. McCartney does a deliberately distorted base solo. It has the punk attitude of the late ‘70s but with musicians who can really play the instruments, making it a classic. Of course, some punks would say that takes away from a song. LOL! Jagger hasn’t “hung out” with Richards since he slinked out of the muggy, decadent basement in the French Riviera in ’72 with the Exile On Main Street master tapes and headed to a Los Angeles studio to finish that album. However, the elder Richards has become buddies with McCarthy who ventures over to Keith’s place for a cold one every day, when both are wintering in the Turks & Caicos Islands. McCartney recommended Andy Watts to the producer of this record.
Whole Wide World – One of the best songs on the album and so good, it was one of the only 3 new songs debuted at the Album Release Party along with the 2 singles. It is a hard rocker about a down and outer, with the whole wide world against him attitude, wandering through the gloomy Post Modern streets of London and through “the smell of sex and gasoline.” Jagger is at his best here with the exaggerated cockney accent. Richards has yet another new awesome intro guitar riff, and he never seems to run out of them.
Dreamy Skies – A soulful country song about escaping the rat race, the Social Media “pictures,” the devices “no connections,” and the cell phones and getting out in nature under dreamy skies. It ranks as one of the best ever Stones country songs along with Far Away Eyes and The Worst.
Mess It Up – This is a rousing upbeat dance number with a Bee Gees like chorus that hooks you in. This and the next song features original drummer Charlie Watts shortly before he died.
Live By The Sword – What would be Rolling Stones record since Beggar’s Banquet’s Prodigal Son, that doesn’t have a Biblical reference, with this one referring to the warning in the Gospel of Matthew? This heavy, hard hitting, dark rock song is one of the best on the album, don’t listen to the critics. Like all heavy songs, it takes a couple of listenings before you really appreciate it. With both Wyman and Watts, you got 4 of the 5 original members on this number. I wonder if Richards and Elton John were in the recording studio at the same time for this after they traded nasty barbs in the British Press a few years back with Richards: “Why are you obsessed with dead English women?” and John: “You look like a monkey (man?).”
Driving Me Too Hard – Another mid-tempo troubled relationship song that works well, but not as good as the previous 5 songs. Again, the critics liked this a lot more than I did.
Tell Me Straight – The obligatory Richards ballad that he has routinely done in the latter part of his career. Like its predecessor Biggest Mistake, it falls well short of his classic ballads such as “You Got The Silver,” “The Worst,” “Slipping Away,” and “Thief In The Night.”
Sweet Sounds of Heaven – The second single is the best song on the album by far. It is unlike anything they have ever done in that it is their first Gospel style ballad. It is a powerful moving song that compares favorably to their greatest ballads such as Tears Go By, Wild Horses, Angie, Beast Of Burden and Waiting On A Friend. It slowly builds to an amazing crescendo. Jagger’s singing, the guitars, and Jordan’s drums are magnificent. Stef Germanotta (“Lady Gaga”) provides the chorus. Some critics foolishly compare it to Gimme Shelter, two completely different types of songs in every possible way, and the only thing they have in common is a female chorus. Of course, both are all time classics in their own right, but in completely different genres. This album version of the song is 2 minutes longer than the single with a false ending and another fantastic final ending.
Rolling Stone Blues – The album ends where it all began 62 years ago at Dartford Train Station in 1961, with childhood friends Jagger and Richards reuniting for the first time and with Jagger carrying this Muddy Waters classic under his arm. Founding member Brian Jones soon named the band after this song. This is stripped down Jagger and Richards alone at their best with Mick’s legendary harmonica and Keith’s famed 5 string guitar singing the original Chicago Blues. Fantastic!
A fitting ending, but as always with the Stones, it never ends. Jagger says this album is only half of the songs they recorded, and with only half of the best ones on it, and the “next album is 75% done,” so we can expect another album in ’24 and yet another sold out stadium tour in ’24, if as Richards says, “We are all still upright by then.”
Overall Grade: A-
Other Stones album ratings
1) Let It Bleed (1969) A+
2) Sticky Fingers (1971) A+
3) Some Girls (1978) A+
4) Exile on Main Street (1972) A+
5) Voodoo Lounge (1994) A
6) Beggar’s Banquet (1968) A
7) Black and Blue (1976) A
8) It’s Only Rock ‘N Roll (1974) A
9) Bridges to Babylon (1997) A-
10) Out of Their Heads (1965) A-
11) Goat’s Head Soup (1973) A-
12) Aftermath (1966) A-
13) Hackney Diamonds B+
14) Tattoo You (1981) B+
15) A Bigger Bang B+ (2005)
16) Between the Buttons (1967) B+
17) Now! (1964) B+
18) Emotional Rescue (1980) B
19) Steel Wheels (1989) B
20) Dirty Work (1986) B-
21) Undercover (1983) B-
22) England’s Newest Hit Makers (1963) B-
23) December’s Children (1965) B-
24) 12 X 5 (1964) B-
25) Their Satanic Majesties Request (1967) C
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Peanut'sReviewed in France on 29 November 2024
5.0 out of 5 stars Retour en Force des Stones (Bis)
Je viens de racheter cet Album, cette fois-ci en version Vinyle. Et franchement, je ne suis pas déçu. Le pressage est parfait, mais pas autant que le prix (17.92 euros). Là, c'est vraiment une bonne affaire. Pour ce qui est du contenu, je confirme que cet Album est très bon et qu'il fait partie de mes préférés. Comme je l'avais dit sur mon précédent commentaire, cet Album transpire l'ADN Stonien.