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Mozart: Requiem; Kyrie in D minor

4.7 4.7 out of 5 stars (86)
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Track Listings

1 1. Introitus: Requiem - Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
2 2. Kyrie
3 3 Sequentia: Dies Irae
4 3 Sequentia: Tuba Mirum - Anne Sofie von Otter, Susan Addison, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner
5 3 Sequentia: Rex Tremendae
6 3 Sequentia: Recordare - Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner
7 3 Sequentia: Confutatis
8 3 Sequentia: Lacrimosa
9 4. Offertorium: Domine Jesu Christe - Anne Sofie von Otter, The Monteverdi Choir, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner
10 4. Offertorium: Hostias
11 5. Sanctus
12 6. Benedictus - Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner
13 7. Agnus Dei
14 8. Communio - Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
15 Kyrie in D Minor

Product description

GARDINER JOHN ELIOT / ENGLISH

Product details

  • Product Dimensions ‏ : ‎ 14.3 x 12.6 x 0.99 cm; 106.03 g
  • Manufacturer ‏ : ‎ Philips, Decca, Musica Sacra, Classico,
  • Item model number ‏ : ‎ 1989873
  • SPARS Code ‏ : ‎ DDD
  • Label ‏ : ‎ Philips, Decca, Musica Sacra, Classico,
  • ASIN ‏ : ‎ B0000040YU
  • Number of discs ‏ : ‎ 1
  • Customer reviews:
    4.7 4.7 out of 5 stars 86 ratings

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4.7 out of 5 stars
86 global ratings

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Top reviews from United Kingdom

  • Media Scribe
    5.0 out of 5 stars Mozart Requiem: John Eliot Gardiner
    Reviewed in the United Kingdom on 13 September 2017
    Verified Purchase
    This version of the requiem benefits from the expert control of the orchestra and singers by the renowned John Eliot Gardiner, who is no stranger to conducting religious works. Although the soloists, on the whole, perform well, I would have liked the soprano to have sung with more volume, since to me her voice came over a bit thin. On the other hand I was pleased to have the much celebrated Willard White included in the soloists as I regard him as one of the best bass singers of the modern era. I consider this requiem to be one the greatest works of its type ever written.
    3 people found this helpful
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  • Doc Baume
    5.0 out of 5 stars Gardiner knows not to push the music
    Reviewed in the United Kingdom on 7 October 2013
    Verified Purchase
    I was recommended this disc, and I like it very much. What stroke me, was Gardiners ability to *not* push the music. It breathes naturally, which I think suits the music very well. Many of the "hidden lines" are heard because of his not pushing, and not using to much sound in the orchestra. The chorus are delivering a subtle and articulated account. Barbara Bonney delivers some beautiful phrasing indeed ! Highly recommended.
    5 people found this helpful
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  • Wendy Davies
    5.0 out of 5 stars Wonderful Requiem
    Reviewed in the United Kingdom on 27 September 2020
    Verified Purchase
    I loved listening to a fine performance of this requiem. It's a piece that I hope to be learning once choirs are allowed to sing again and listening to the cd will help.
    One person found this helpful
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  • Mr. Patrick N. Andrews
    4.0 out of 5 stars Happy with purchase and the only reason for four stars ...
    Reviewed in the United Kingdom on 21 April 2017
    Verified Purchase
    Not a big fan of Mozart- more a Beethoven fan- but I just happened to hear this on a TV programme. Only an excerpt but wanted to hear more. Happy with purchase and the only reason for four stars is still prefer Beethoven. But all reviews are subjective.
    One person found this helpful
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  • C. Plummer
    5.0 out of 5 stars Great recording, great price...
    Reviewed in the United Kingdom on 24 October 2013
    Verified Purchase
    It came with German text on the disc and paperwork which a) isn't a problem for a CD and b) seemed vaguely appropriate. The disc actually came from the US so took a few days but I wasn't in a hurry.
    2 people found this helpful
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  • Mr. J. A. Davies (UK)
    5.0 out of 5 stars Excellent Quality - Good Balance and Interpretation
    Reviewed in the United Kingdom on 13 January 2017
    Verified Purchase
    Good clear open sound. Enough singers for me. I prefer this to my existing Berliner Philharmoniker on Deutsche Grammophon which seemed a bit muddy to my old ears.
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  • John
    5.0 out of 5 stars Bliss, or on its way to......,...
    Reviewed in the United Kingdom on 12 March 2017
    Verified Purchase
    Besides being probably one of the finest pieces of musical composition ever, this version is performed with great sensitivity and finesse. A wonder ous thing.
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  • Frybone
    5.0 out of 5 stars Superb
    Reviewed in the United Kingdom on 25 February 2016
    Verified Purchase
    This is the sort of performance that got JEG his name - absolutely brilliant in every respect. If you want this work, you will not get anything better.
    One person found this helpful
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  • غ Customer
    5.0 out of 5 stars Divine music...
    Reviewed in India on 24 July 2020
    Verified Purchase
    Great Work!!
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  • pedro maria polo ca?as
    5.0 out of 5 stars Solo Gardiner
    Reviewed in Spain on 29 July 2015
    Verified Purchase
    Entre WA y Gardiner lo han bordqado. Creo que este es el Requiem de Requiems. Felicidades a los que lo escuchen
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  • claude toon
    5.0 out of 5 stars Une version baroque et romantique...
    Reviewed in France on 8 February 2012
    Verified Purchase
    Gardiner dispose pour cet enregistrement de son orchestre jouant sur instruments anciens, The English Baroque Players, du Monteverdi Choir et de quatre bons chanteurs dont Barbara Bonney et Anne Sofie von Otter.

    Ds les premires notes de l'Intro?t, la diminution de l'effectif produit son effet, en bien. Le jeu de la petite harmonie simplifie voulue par Mozart (ni fl?te, ni hautbois) se dtache de la masse des cordes chatoyantes, se fait mditatif. On retrouve le mme rquilibrage entre le ch?ur et l'orchestre qui perd son simple r?le d'accompagnement. Mme si le tempo est plus rapide (48' au lieu de 63' chez B?hm !), l'?uvre retrouve une couleur merveilleusement limpide. La prire devient intimiste. Dans son clbre enregistrement de 1971, B?hm nous offrait la grandeur mystique, Gardiner nous replonge dans les chapelles baroques de l'Autriche. Musicalement, c'est trs beau, presque allgre dans le sens o l'interprtation se veut rsolument certaine du chemin d'une ?me vers un monde paradisiaque. Cette conception de Gardiner est confiante et justifie donc pleinement ce fervent raffinement. Il ne faut pas oublier que le franc-ma?on Mozart ne devait gure imaginer un enfer de feu, un au-del de dsesprance promis par une ?glise toute puissante l'poque.

    Barbara Bonney chante, elle aussi avec simplicit et tendresse, une discrtion et un respect vis--vis du Sauveur et de l'?me qui prend son envol. Les mlodies s'entrecroisent sans aucune lourdeur. On est loin des expriences minimalistes et dsincarnes de la plupart des concurrents baroqueux.

    Le trombone naturel dans le Tuba mirum ne fait pas peur. ? l'vocation d'un terrifiant jugement dernier, Gardiner prfre annoncer l'arrive vers la flicit. Les chanteurs sont excellents, techniquement, et par la retenue et la religiosit bienveillante qu'ils suggrent.

    On aurait pu esprer un Rex tremendae un peu plus lent donc moins cavalier vis--vis du Trs-Haut. Infime dtail, mentionn par le chroniqueur pour montrer quel point la vision de Gardiner approche une forme de perfection dans les principes musicologiques sur lesquels elle repose.

    C'est galement vrai pour le Lacrymosa. Mais Gardiner apporte un phras scand et des variations de tons qui rendent la prire intime, secrte et volontaire. Toujours ce sentiment de confiance dans la destine.

    Une interprtation sans doute historique qui doit rconcilier anciens et modernes, mme si sa conception spirituelle se situe aux antipodes de celle de Karl B?hm.

    Pour lire l'article du Deblocnot' consacr ce disque dans son intgralit, vous y serez le bienvenu. (voir profil)
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  • ɥҥޤʥեҵ
    5.0 out of 5 stars Х󥹤ʤǤ礦 СʾɤʤΤܤФȫȻoǤ͡
    Reviewed in Japan on 12 March 2010
    Verified Purchase
    ͬɤǤ󥰱PȤ„`ޤ ƥݤȫĤ٤٤ΤΤʡ`äĤܤzʚݳ֤Ǥ͡ꥹȤϥЩ`Х?ܥ˩`ȥͥե?ե󥪥å`ä⟰(Ц)Ǥ͡ƥΩ`Υ֥ۥåĤä⡭ ƥPޥyθӛߤǤλڴ顢ˤϸ褦r~ڤФФޤ͡顸ޥΥƥΩ`륢ꥢτeˤƤΤʡäȾϼɳΤФäƥ줤ϹǤ˼𤳤ơ˽ϺäǤ ϳत ʯ˥ƥǥäƤӢĥ饤ʩ`һһˤǰ򥯥쥸åȤƤޤŤFʤǤ礦͡ Υ`ǥʩ`PǰՓФˏʢϤФत ٥ͥǥȥĤ餷ܥ˩`ȥե󥪥å`霤񡩤z餫ʹΘǤ ʤ—ͨǤ(Ц)ݸޤһ—ơ ιʡޥΤϤΡꥨꥪʢϤ?˼äǤ͡ζȤ—ͨơϱ+ꥨ—ƷǤ롹ȴ_ŤޤԤΤϱΡ}咅ܡ߀餺ΤˤФȥܤʤǤ͡Ԫ顣⥭ꥨϱθȥ󥿩`Хͬǡͬ{ʤǤ͡ϥ`ǥʩ`Ǥ礦त赤ʥ쥯Ǥ
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  • R.M.
    5.0 out of 5 stars No wobbly vibratos (thank goodness)
    Reviewed in the United States on 22 July 2002
    Verified Purchase
    An avid Mozart listener, I find the modern renditions of his breathtaking music most often too heavy handed, with too much sound too much of the time. In this more traditional recording, we rediscover the lightness and clarity of sound that Mozart is known for. Thank goodness--no more Verdi-esque performances by artists who believe they are singing the dramatic Romantic solos instead of the more precise Classical solo. The clarity of tone and the beautiful singing are what draws me, the classical singer, again and again to this gorgeous piece, finally rendered by singers with precise pitch. The CD remains fitting homage to a brilliant composer and without a doubt one of the jewels in my collection.
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