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Louie Bellson feat. Clark Terry

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Louie Bellson feat. Clark Terry

8 SONGS • 49 MINUTES • JAN 01 1988

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
1
Caravan
07:47
2
Ode To A Friend
05:38
3
Peaceful Poet
07:08
4
Together We Rise
04:45
5
Hot
05:53
6
Hookin' It
06:02
7
Waltzing At Denison
04:55
8
Walkin' With Buddy
07:51
℗© 1988 Amerco, LLC.

Artist bios

One of the great drummers of all time (and one of the few whose name can be said in the same sentence with Buddy Rich), Louie Bellson had the rare ability to continually hold one's interest throughout a 15-minute solo. He became famous in the 1950s for using two bass drums simultaneously, but Bellson was never a gimmicky or overly bombastic player. In addition to being able to drive a big band to exciting effect, Bellson could play very quietly with a trio and sound quite satisfied.

Winner of a Gene Krupa talent contest while a teenager, Bellson was with the big bands of Benny Goodman (1943 and 1946), Tommy Dorsey (1947-1949), and Harry James (1950-1951) before replacing Sonny Greer with the Duke Ellington Orchestra. A talented writer, Bellson contributed "Skin Deep" and "The Hawk Talks" to Ellington's permanent repertoire. Bellson married Pearl Bailey in 1952, and the following year left Ellington to be her musical director. Bellson toured with Jazz at the Philharmonic (1954-1955), recorded many dates in the 1950s for Verve, and was with the Dorsey Brothers (1955-1956), Count Basie (1962), Duke Ellington (1965-1966), and Harry James (1966).

He continued to be active, leading big bands (different ones on the East and West Coasts), putting together combos for record dates, giving clinics for younger drummers, and writing new music. Bellson recorded extensively for Roulette (early '60s), Concord, Pablo, and Music Masters. He died in February 2009 in Los Angeles at the age of 84. ~ Scott Yanow

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No one could ever accuse Clark Terry of solemnity or detachment; his penchant for humor, especially his scat singing and "mumbles" routine, often triggered accusations of silliness. But Terry was an excellent modern trumpeter who perfected -- among many other things -- "dialogues" with himself, sometimes playing different instruments and other times alternating between mute and unmuted passages. His tone, range, and solo technique were superb, and he was equally proficient at swing or bebop. Terry worked in local groups around the St. Louis area, then was in a Navy band during World War II with Willie Smith. Upon his discharge, he played with Charlie Barnet in 1947 and Count Basie's small and large groups during the late '40s and early '50s. Terry played with Duke Ellington into the late '50s, appearing on several suites and extended pieces. He worked with Quincy Jones, then was recommended by Ray Copeland for a staff position at NBC after Copeland had to turn it down. Terry worked at NBC through the '60s and early '70s. He appeared regularly on The Tonight Show, while doing jazz dates with J.J. Johnson and Oscar Peterson and co-leading a group with Bob Brookmeyer that became popular in the early '60s. There were sessions on Mainstream, Vanguard, Big Bear, Mercury, Impulse!, and Riverside in the '50s and '60s. Terry began playing flügelhorn in the '50s while in the Ellington orchestra. He included more flügelhorn solos in his repertoire during the '70s, and recorded often for Pablo as well as MPS/BASF and Pausa. He maintained his activity in the '80s, '90s, and into the 2000s. Some of Terry's best recorded work can be heard on the Ellington album Cosmic Scene, while classic Terry dates from the '50s and '60s, as well as '70s and '80s cuts, are available in the digital age. Clark Terry died on February 21, 2015, at age 94, after an extended battle with diabetes.

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