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Jane Birkin & Serge Gainsbourg

Jane & Serge 1973 (Super Deluxe Edition)

Jane Birkin & Serge Gainsbourg

34 SONGS • 1 HOUR AND 39 MINUTES • NOV 15 1973

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
3
Encore lui
02:26
4
Puisque je te le dis
02:35
5
Les capotes anglaises
02:12
6
Leur plaisir sans moi
01:43
7
Mon amour baiser
02:32
8
Banana Boat
02:18
9
Kawasaki
02:34
10
La cible qui bouge
03:12
11
La baigneuse de Brighton
02:17
12
C'est la vie qui veut ca
02:23
13
La décadanse (Bande originale du film "Sex Shop")
05:15
14
Les langues de chat
02:18
15
Je suis venu te dire que je m'en vais
03:22
16
Vu de l'extérieur
03:40
17
Panpan cucul
02:43
18
Par hasard et pas rasé
02:28
19
Des vents des pets des poums
02:53
20
Titicaca
02:58
21
Pamela popo
02:23
22
La poupée qui fait
03:01
23
L'hippopodame
01:44
24
Sensuelle et sans suite
03:02
25
Panpan culcul (Version alternative - Texte inédit)
03:25
26
Les papiers qui collent aux bonbons
02:18
27
Je suis venu te dire que je m'en vais (Prise complète)
04:56
28
Tout mou tout doux
04:19
29
Vu de l'extérieur (Instrumental)
03:41
30
Pamela popo (Instrumental)
02:22
31
L'hippopodame (Instrumental)
03:08
32
Sensuelle et sans suite (Instrumental)
03:24
33
Titicaca (Instrumental)
03:05
34
Tout mou tout doux (Mix 2014)
02:39
℗© 2014 Barclay

Artist bios

Actress, singer, and style icon Jane Birkin had a definitive influence on culture in the '60s and beyond, starting her career with roles in art house films like Blow-Up and Wonderwall, and making a musical mark with her breathy, mysterious vocals on collaborative tracks with Serge Gainsbourg. Her romantic and creative partnership with Gainsbourg yielded classic lounge pop albums like 1969's Je T'Aime... Moi Non Plus (the title track of which was banned from radio in several countries for being too sexually explicit, but still managed to top the charts in the U.K.) and 1971's Histoire de Melody Nelson. Birkin had a long and fruitful life in both music and film well after she and Gainsbourg parted ways in 1980, touring regularly and releasing albums of her own songs like 2008's Enfants d'Hiver.

Born in London in 1946, Birkin followed in her mother's footsteps and began acting at the Kensington Academy in London. While still a teenager, she made her stage debut in Graham Greene's 1964 production Carving a Statue. One year later, she was offered a part in Passion Flower Hotel, a musical produced by James Bond series composer John Barry, and she married him soon after. Birkin's first film, The Knack...And How to Get It, followed in 1965, while a role in 1966's Blow-Up made her semi-famous.

Her marriage with Barry soon broke up, however, and on a trip to France she met Gallic pop star Serge Gainsbourg. The two eventually became romantically entwined, and Birkin lent her vocal talents to Gainsbourg's 1969 recording of the erotic pop song "Je T'Aime...Moi Non Plus." Originally released by Fontana Records in Britain, the single was soon dropped by the label; reissued on the Major Minor imprint, it hit number one in England late that year, despite a radio ban. The collaborative LP Je T'Aime... Moi Non Plus soon followed, though Birkin spent much of the early '70s working in films. She appeared in a lot of exploitation fare, including Sex Power, Romance of a Horse Thief, and Don Juan 73, the latter featuring her as the same-sex lover of Brigitte Bardot. With help from Gainsbourg, she recorded 1975's Lolita Go Home and 1978's Ex Fan des Sixties, gaining hits in France, if not in England.

Birkin and Gainsbourg were never married, but were together for 12 years and had daughter Charlotte Gainsbourg, who would go on to become a singer and actress in her own right. The relationship was turbulent, and completely dissolved in 1980. Birkin later married French director Jacques Doillon. She continued performing, acting, and making music, mostly directed at a French audience, until 2006, when she released Fictions. The album included both a Tom Waits and a Neil Young cover, along with new material from songwriters Neil Hannon of Divine Comedy, the Magic Numbers, Beth Gibbons, and Rufus Wainwright. The self-penned Enfants d'Hiver arrived in 2008 and was followed by the double-live Au Palace a year later. In 2010, Light in the Attic reissued the classic 1969 set Jane Birkin et Serge Gainsbourg.

Birkin didn't stop working but focused more on touring than recording. In 2011, after the tsunami and the Fukushima nuclear disaster in Japan, she gave two benefit quartet concerts and was introduced to pianist/composer and arranger Nobuyuki Nakajima, who worked extensively with Ryuichi Sakamoto and scored numerous films in his own right. The quartet's shows were so successful, they toured for two years. In 2016, the FrancoFolies Festival of Quebec commissioned Birkin to create a "Gainsbourg Symphonic" concert with the Montreal Symphony Orchestra, conducted by Simon Leclerc. Birkin and Nakajima worked with Gainsbourg's longtime producer Philippe Lerichomme. A concert documentary and subsequent press notices in Montreal prompted a European and Japanese tour. Birkin/Gainsbourg: Le Symphonique was released by Parlophone in March of 2017, while the show was on the road. It debuted at number six on the French top albums chart, and remained in the Top 40 for 12 weeks. It re-entered the same chart in June. The recording also debuted in the number three spot on European streaming charts and remained in the Top Ten for nearly two months. In September 2021, Birkin suffered a stroke, which forced her to cancel a scheduled tour, and while she recovered enough to return to performing, another series of concerts were postponed when she broke her shoulder in March 2022. On July 16, 2023, it was announced by the French Ministry of Culture that Jane Birkin had died at her home in Paris. She was 76 years old. ~ John Bush

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Serge Gainsbourg was the dirty old man of popular music; a French singer/songwriter and provocateur notorious for his voracious appetite for alcohol, cigarettes, and women, his scandalous, taboo-shattering output made him a legend in Europe but only a cult figure in America, where his lone hit "Je T'Aime...Moi Non Plus" stalled on the pop charts -- fittingly enough -- at number 69.

Born Lucien Ginzberg in Paris on April 2, 1928, his parents were Russian Jews who fled to France following the events of the 1917 Bolshevik uprising. After studying art and teaching, he turned to painting before working as a bar pianist on the local cabaret circuit. Soon he was tapped to join the cast of the musical Milord L'Arsoille, where he reluctantly assumed a singing role; self-conscious about his rather homely appearance, Gainsbourg initially wanted only to carve out a niche as a composer and producer, not as a performer.

Still, he made his recording debut in 1958 with the album Du Chant a la Une; while strong efforts like 1961's L'Etonnant Serge Gainsbourg and 1964's Gainsbourg Confidentiel followed, his jazz-inflected solo work performed poorly on the charts, although compositions for vocalists ranging from Petula Clark to Juliette Greco to Dionne Warwick proved much more successful. In the late '60s, he befriended the actress Brigitte Bardot, and later became her lover; with Bardot as his muse, Gainsbourg's lushly arranged music suddenly became erotic and delirious, and together, they performed a series of duets -- including "Bonnie and Clyde," "Harley Davidson," and "Comic Strip" -- celebrating pop culture icons.

Gainsbourg's affair with Bardot was brief, but its effects were irrevocable: after he became involved with constant companion Jane Birkin, they recorded the 1969 duet "Je T'Aime...Moi Non Plus," a song he originally penned for Bardot complete with steamy lyrics and explicit heavy breathing. Although banned in many corners of the globe, it reached the top of the charts throughout Europe, and grew in stature to become an underground classic later covered by performers ranging from Donna Summer to Ray Conniff.

Gainsbourg returned in 1971 with Histoire de Melody Nelson, a dark, complex song cycle which signalled his increasing alienation from modern culture: drugs, disease, suicide and misanthropy became thematic fixtures of his work, which grew more esoteric, inflammatory, and outrageous with each passing release. Although Gainsbourg never again reached the commercial success of his late-'60s peak, he remained an imposing and controversial figure throughout Europe, where he was both vilified and celebrated for his shocking behavior, which included burning 500 francs on a live television broadcast and recording a reggae version of the sacred "La Marseillaise."

Gainsbourg also created a furor with the single "Lemon Incest," a duet with his daughter, the actress Charlotte Gainsbourg. In addition, he posed in drag for the cover of 1984's Love on the Beat, a collection of songs about male hustlers, and made sexual advances towards Whitney Houston on a live TV broadcast. Along with his pop music oeuvre, Gainsbourg scored a number of films, and also directed and appeared in a handful of features, most notably 1976's Je T'Aime...Moi Non Plus, which starred Birkin and Andy Warhol mainstay Joe Dallesandro. He died on March 2, 1991. ~ Jason Ankeny

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