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Antonio Cortis

Antonio Cortis (Recorded 1925 - 1930)

Antonio Cortis

23 SONGS • 1 HOUR AND 19 MINUTES • JAN 01 1993

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
1
Rigoletto: Questa o quella (Recorded 1930)
02:12
2
Rigoletto: Ella mi fu rapita...Parmir veder le lagrime (Recorded 1930)
05:18
3
Rigoletto: La donna è mobile (Recorded 1930)
02:08
4
Il Trovatore: Ah si, ben mio...Di quella pira (Recorded 1930)
05:13
5
Carmen: La fleur que tu m'avais jetée (Recorded 1929)
04:01
6
Faust: Salve, dimora casta e pura (Recorded 1930)
04:48
7
Manon: Ah! fuyez douce image (Recorded 1929)
04:23
8
Werther: Pourquoi me réveiller? (Recorded 1929)
03:19
9
Cavalleria Rusticana: O Lola (Recorded 1929)
02:23
10
Iris: Apri la tua finestra (Recorded 1929)
02:31
11
Tosca: Recondita armonia (Recorded 1929)
02:57
12
Tosca: E lucevan le stelle (Recorded 1929)
02:48
13
Turandot: Nessun dorma (Recorded 1929)
03:18
14
La Bohème: Che gelida manina (Recorded 1930)
05:03
15
La Bohème: Mimì è una civetta (Recorded 1925)
03:44
16
La Favorita: Una vergine, un angel di Dio (Recorded 1925)
02:50
17
La cena delle beffe: Ah, che tormento (Recorded 1927)
02:43
18
La cena delle beffe: Mi svesti (Recorded 1927)
03:03
19
Dona Francisquita: Mujer fatal (Recorded 1925)
04:11
20
Una Vieja: Cavatina, Un español que vien (Recorded 1925)
03:29
21
L'Alegria del Batallon: Canción del soldado (Recorded 1925)
02:30
22
Calabazas (Jilted) (Recorded 1927)
03:02
23
Tropezón (The Obstacle) (Recorded 1927)
03:13
(C) 1993 Nimbus Records Limited

Artist bios

Antonio Cortis was a leading Spanish lyric tenor in the first half of the 20th century. He was known both for his rich, lively voice, and for being the protégé of Enrico Caruso.

Cortis was born aboard a ferry traveling from Algeria to Spain on the Alboran Sea in 1891. His father passed away shortly before his birth, and he was raised by his mother in Madrid. She encouraged him to pursue music, and when he was eight years old, he began studying composition and violin at the Royal Conservatory of Music in Madrid. However, he quickly changed his focus to singing after his professors discovered his exceptional voice. He also sang in the children's chorus at the Teatro Real until 1909, when his family moved to Barcelona. Cortis continued his musical studies at the municipal conservatory in Barcelona and joined the chorus of the Gran Teatro in Liceu. In 1912 he made his opera debut there in the role of Gastone in Verdi's La Traviata. Three years later, he accepted a position at the Teatro Real, where he sang comprimario tenor roles.

Cortis performed in Spain and Italy for the next few years, and in 1917 he embarked on a tour in South America. This led him to Buenos Aires, where he sang with the great Enrico Caruso in Leoncavallo's Pagliacci. Caruso was very impressed with Cortis' performance and became a mentor to the young singer. Cortis received extensive coaching from Caruso regarding singing, and etiquette for both on and off the stage. He was grateful for Caruso's wisdom, but he returned to Europe and the two tenors parted ways at the end of the tour. By 1921, Cortis began receiving major roles and his popularity and fame continued to grow. He made his debut performances in Chicago and San Francisco in 1924, and for the next eight years he remained in high demand in Europe, South America, and Chicago, where he returned annually. He also made several recordings from this time with many of the major record labels, including HMV, Parlophone, and Victor.

At this point, the world economy had already begun to degrade due to the Great Depression, leading Cortis back to Spain, which appeared to be relatively stable. Shortly after he arrived, the Spanish Civil War had started, which made it difficult for him to travel and work, and gradually depleted his finances. As the war in Spain came to an end in 1939, World War II had begun in the rest of the world, which once again made it impossible to travel outside of Spain. These unfortunate circumstances left Cortis desperate for work, so he began accepting roles in less prominent venues, and he started a school for singers in Valencia. Throughout the 1940s, he performed solely in Spain, and he continued teaching. He suffered from increasing health problems in his final years, and in 1952 he passed away at his home near Valencia. ~ RJ Lambert

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Language of performance
English
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