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Funded and administered by the British Broadcasting Company, the BBC Symphony Orchestra has, since its establishment in 1930, enjoyed freedom from the financial concerns that often plague independent orchestras. Because of this, it has been able to engage in more adventurous programming than many other major orchestras, focusing on new or less familiar compositions. In addition to its full schedule of broadcast performances for BBC Radio 3, the BBC Symphony performs more than 70 public concerts a year. With its affinity for contemporary compositions, this ensemble of approximately 100 musicians has earned its reputation as one of the foremost broadcasting orchestras in Europe.

Although it was not officially established until 1930, plans for a BBC Orchestra were hatched in 1927. Negotiations delayed the fruition of these plans until Adrian Boult was appointed director of music in January 1930. The orchestra offered its first performance in October 1930 at Queen's Hall, playing Wagner, Brahms, and Ravel to enthusiastic reviews. During its early years, the orchestra established its commitment to new and unusual repertoire by programming works by such contemporary composers as Schoenberg, Bartók, and Alban Berg, many of which were conducted by the composers themselves. Boult insisted that music by British composers be prominently represented in the orchestra's repertoire; to that end, the BBC Symphony presented broadcasts of works by Constant Lambert, Edward Elgar, and Ralph Vaughan Williams.

In 1935, administrators began to express concern over the organization's programming policies; the ensuing tensions between the BBC and the artistic directors of the orchestra boiled over in 1936, and Edward Clark, who was a primary figure in forming the BBC's musical policy, angrily resigned. For the next 25 years, the orchestra's repertoire became considerably more focused on the works of Romantic and post-Romantic composers, temporarily leaving behind the ensemble's penchant for more contemporary music. After Boult's retirement in 1950, Sir Malcolm Sargent was appointed chief conductor. His otherwise unremarkable tenure included the establishment of the Henry Wood Promenade Concerts at Queen's Hall (and later at the Royal Albert Hall) and the opening of the Royal Festival Hall, which became one of the orchestra's permanent concert venues. Sargent was succeeded in 1957 by Rudolf Schwarz, who began once again to broaden the orchestra's repertoire.

The BBC Symphony commissioned and premiered several pieces by composers such as Roberto Gerhard during the 1960s in an effort to elevate the international status of the orchestra. Unfortunately, financial constraints did not allow the BBC Symphony to blossom as was hoped, but the changes made by Schwarz helped the orchestra recover some of its former glory. Antal Doráti replaced Schwarz as chief conductor of the orchestra in 1963 and organized the ensemble's first American tour in 1965. Sharing the podium with Pierre Boulez, Doráti's adventurous choice of repertoire focused on works by distinguished contemporary composers, and this highly successful tour brought the orchestra its long-sought international recognition. Boulez's affiliation with the BBC Symphony was instrumental in bringing the orchestra's concert repertoire back to its original focus on new works.

Boulez's tenure was followed by an exceptional list of internationally prominent conductors, including Rudolf Kempe, Gennady Rozhdestvensky, and Leonard Slatkin, among others. Sakari Oramo was named chief conductor in 2013 after a guest conducting performance. In 2019, Dalia Stasevska was named principal guest conductor, the first woman to hold the post in the orchestra's history.

While its broadcast and live performances are the main attraction for the BBC Symphony, it also has an extensive recording history. The orchestra has recorded with such labels as NMC, Warner Classics, and Chandos. On the latter, it released Sibelius: Lemminkäinen Suite; Spring Song; Suite from Belshazzar's Feast under Oramo in 2019. 2022 saw the release of several reissued and new recordings, including Oramo leading the orchestra in music by Dora Pejačević, with Peter Donohoe as the soloist on the composer's Piano Concerto.

While the BBC Symphony and the BBC Concert Orchestra are based in London, regional BBC orchestras are resident in Manchester (BBC Philharmonic), Glasgow (BBC Scottish Symphony Orchestra), and Cardiff (BBC National Orchestra of Wales). ~ Corie Stanton Root

The American conductor Leonard Slatkin is a fixture of the U.S. symphonic scene, having conducted various major orchestras over his long career. He is noted for performance of American, Russian, and British music, and has been forthright among American conductors for championing the performance of American music.

Slatkin was born in Los Angeles on September 1, 1944. He came from a Ukrainian Jewish family whose name was Zlotkin; his brother Frederick, a cellist, has used that name professionally. Slatkin's father, Felix, was a film score composer and conductor as well as a founder of the Hollywood String Quartet, and his mother, Eleanor, was the quartet's cellist. Slatkin grew up with an excellent musical education, and, somewhat unusually, was exclusively American trained. He attended Indiana University's music school, Los Angeles City College, and later the Juilliard School in New York, studying with St. Louis Symphony music director Walter Susskind and Jean Morel.

His first conducting post was as assistant conductor of the St. Louis Symphony, and he advanced through several other posts before being named the orchestra's music director in 1979. Slatkin remained there for 17 years, issuing a large catalog of albums on Vox, EMI, and, for many years, the RCA label, including complete cycles of the symphonies of Elgar and Vaughan Williams; these earned numerous Grammy award nominations, and Slatkin has won six. In 1985, Slatkin led the St. Louis Symphony in the first recording of Tchaikovsky's The Nutcracker issued on compact disc. Beginning in 1992, he also served as director of the Cleveland Orchestra's Blossom Music Festival, and in 1996 he moved from St. Louis to the National Symphony Orchestra in Washington. There, he took steps to restore the orchestra's mission of presenting American music. Slatkin moved to London as conductor of the BBC Philharmonic in 2000 and also served a principal guest conductor of the Royal Philharmonic, but he continued to work in the U.S. during this period in posts at the Hollywood Bowl, the Nashville Symphony, and the Pittsburgh Symphony, where he was principal guest conductor.

The major post of the later part of Slatkin's career has been as music director of the Detroit Symphony Orchestra, where he shepherded the group through labor strife and a municipal bankruptcy. He stepped down as music director in 2018 but has remained active as music director laureate, continuing a series of recordings with the orchestra on the Naxos label. In 2019, he led the orchestra in a Naxos recording of Copland's ballet music that included the rarely heard early work Grohg; this recording was nominated for a Grammy Award. From 2011 to 2017, Slatkin served a music director of the Orchestre National de Lyon in France. He is also a composer and the author of a book, Conducting Business. In 2003, Slatkin received the U.S. National Medal of the Arts. ~ James Manheim