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Making music that's jittery, neurotic, darkly comical, but also powerfully catchy, the Violent Femmes are a pillar of American underground movement, and one of the best early examples of alternative rock. Full of songs built from the unlikely combination of acoustic instruments and seething bile, their self-titled 1983 debut was a groundbreaking collection of tuneful angst, and they released albums steadily through the '80s and '90s, including standout moments like the sharp but melodic folk rock of 1991's Why Do Birds Sing? The 2000s were less stable for the Femmes, with some changes to lineup and a slow down in new material, but in 2016 they released We Can Do Anything, their ninth studio album and first new record in 16 years. Tenth album Hotel Last Resort followed (relatively) shortly thereafter in 2019, and in 2023, the band released a deluxe 40th anniversary edition of their epochal debut.

The Violent Femmes formed in Milwaukee, Wisconsin, in the early '80s, made up of singer/guitarist Gordon Gano, bassist Brian Ritchie, and percussionist Victor DeLorenzo. After being discovered by the Pretenders' James Honeyman-Scott while they were busking on the street, the band signed to Slash and issued their self-titled debut, a melodic folk-punk collection which struck an obvious chord with young listeners who felt a strong connection to bitter, frustrated songs like "Blister in the Sun," "Kiss Off," and "Add It Up." Though never a chart hit, the album remained a rite of passage for succeeding generations of teen outsiders, and after close to a decade in release, it finally achieved platinum status.

With 1984's Hallowed Ground, Gano's lyrics began to reflect his devout Baptist upbringing, while the Femmes' music approached more traditional folk and country structures. Produced by Talking Heads' Jerry Harrison, 1986's The Blind Leading the Naked advanced toward a more mainstream sound; a cover of the T. Rex chestnut "Children of the Revolution" even became a minor hit. After the record's release, the Femmes temporarily disbanded: Gano recorded a self-titled 1987 album with his gospel side project the Mercy Seat, while Ritchie issued a series of solo LPs including 1987's The Blend and 1989's Sonic Temple & Court of Babylon for SST. (I See a Noise appeared on Dali Records in 1990.) In 1989, the group resurfaced with 3, followed by 1991's Why Do Birds Sing?, which featured the Femmes' deconstructionist cover of Culture Club's "Do You Really Want to Hurt Me?"

Following the release of the 1993 compilation Add It Up (1981-1993), DeLorenzo exited the Violent Femmes to resume the solo career he began two years prior with the release of Peter Corey Sent Me; his sophomore effort, Pancake Day, appeared in 1996. Former Oil Tasters and BoDeans drummer Guy Hoffman was tapped as DeLorenzo's replacement in time to record 1994's New Times for Elektra Records, which proved their sole release for the label. Rock!!!!! was released in 1995 on Mushroom Records only in Australia; the live Viva Wisconsin followed on the American indie label Beyond in 1999, trailed early the next year by a new studio effort, Freak Magnet. In the spring of 2001, the Femmes released their first MP3-only album, Something's Wrong, through the website EMusic.com; it collected an assortment of rarities, including covers, acoustic live tracks, alternate versions, demos, and the like. In 2002, Rhino/Slash reissued their debut as a two-disc deluxe edition that featured 22 previously unreleased tracks, followed by Permanent Record: The Very Best Of in 2005.

The Violent Femmes closed out 2005 with a New Year's Eve show featuring all three original members and Guy Hoffman. This union was punctured in 2007 when Ritchie filed a lawsuit against Gano, seeking proper accounting of royalties while also claiming he was denied credit for songwriting; additionally, he stated Gano licensed "Blister in the Sun" for use in a Wendy's commercial without permission. During the lawsuit, the Violent Femmes managed to release a single -- a cover of Gnarls Barkley's "Crazy," appearing in June of 2008 -- but the tensions caused the group to split in 2009. Ritchie and Gano settled out of court in 2012 and the Violent Femmes reunited in 2013, playing a number of shows, including a slot at that year's Coachella festival, in celebration of the 30th anniversary of their landmark debut. Following these shows, drummer Victor DeLorenzo departed acrimoniously -- in a statement, he claimed "In regards to my history with the Violent Femmes, the dream never quite got there" -- and was swiftly replaced by Brian Viglione, a drummer with the Dresden Dolls. Over the next couple of years, this lineup played frequently and released a four-song EP for Record Store Day in 2015, a teaser for the full-length We Can Do Anything in 2016. By the time that album appeared in March 2016, Viglione had resigned from the band. John Sparrow signed on as the Femmes' drummer in time for the tour supporting We Can Do Anything; recordings from the tour were compiled into a 2017 live album, 2 Mics & the Truth. In 2019 the band returned with their tenth studio album Hotel Last Resort. The album's punchy sound and direct songwriting was reminiscent of their earliest work, but they expanded their palette to include multi-instrumentalist Blaise Garza as well as opening up a few songs for guest spots by both skateboarding celebrity Stefan Janoski and guitar legend Tom Verlaine.

In 2023, a deluxe edition of the band's self-titled 1983 debut was released to celebrate its 40th anniversary. This expanded version included a fully remastered original program as well as previously unreleased demos and live recordings from the band's early days. ~ Jason Ankeny

Famed for his trailblazing work as the singer and guitarist of the seminal New York punk band Television, Tom Verlaine also carved out an acclaimed and eclectic solo career. Born Thomas Miller in Wilmington, Delaware in 1949, Verlaine (who borrowed his name from the French symbolist poet) was trained as a classical pianist but gravitated toward rock music after an encounter with the Rolling Stones' "19th Nervous Breakdown." In 1968, he and bassist Richard Meyers (later Richard Hell) moved to New York's Lower East Side, where they and drummer Billy Ficca formed the group the Neon Boys. After the addition of second guitarist Richard Lloyd, the band renamed itself Television.

Beginning with their landmark 1975 debut single, "Little Johnny Jewel," Television became one of the most renowned groups on the burgeoning New York underground scene; though lumped together with the punk phenomenon, the band's complex songcraft -- powered by Verlaine's strangled vocals, oblique lyrics, and finely honed guitar work -- clearly set them apart from their peers. However, after only two albums, 1977's classic Marquee Moon and the disappointing 1978 follow-up, Adventure, Television disbanded, and Verlaine started a solo career.

He resurfaced in 1979 with a self-titled debut that featured the song "Kingdom Come," later covered by avowed fan David Bowie. 1981's dense Dreamtime earned significant acclaim and even hit the U.S. album chart. Both 1982's diverse Words from the Front and 1984's Cover drew raves from the British press, spurring Verlaine to take up residency in London. After a three-year hiatus, he returned with Flash Light, regarded as one of his best solo efforts. Following 1990's The Wonder, Television briefly re-formed for a self-titled album and tour; the group again broke up, however, and in 1992, Verlaine issued his first instrumental LP, Warm and Cool. In 1994, he composed the score for the film Love and a .45. After that, Verlaine renewed his working relationship with Patti Smith (he played on her first two albums), playing shows and recording new material with her sporadically for the next decade. Also in the mid-'90s, sessions as producer for Jeff Buckley were scrapped (although the material was later issued as Sketches for My Sweetheart the Drunk), and Television continued to be an on-again, off-again live venture. It wasn't until 2006 that Verlaine finally released new solo material: Songs and Other Things and an instrumental follow-up to Warm and Cool, Around, for new label Thrill Jockey. Tom Verlaine died on January 28, 2023 in New York City at the age of 73. ~ Jason Ankeny