ÍøÆغÚÁÏ

Barry McGuire & the New Christy Minstrels & Allan Sherman

Live at the Hollywood Bowl Allan Sherman

Barry McGuire & the New Christy Minstrels & Allan Sherman

29 SONGS • 1 HOUR AND 13 MINUTES • JUN 20 2022

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
1
Overture from Live at the Hollywood Bowl Allan Sherman
05:20
2
Why I Am Here
03:30
3
Harvey & Sheila (like Hava Nagila)
03:34
4
These Are My Short Songs
04:02
5
My Very First Medical Song Ever
00:25
6
I See Bones (The Doctor Was Looking at My X-Rays)
02:34
7
I’d Like to Explain How I Got Fat (Hail to Thee Fat Person)
01:46
8
The Crazy Thought from the Back of My Head
00:23
9
Somewhere (Overweight People)
02:04
10
About British Foreign Policy During the Latter Half of the Nineteenth Century
00:54
11
Disraeli, Won't You Please Come Home (Bill Bailey)
02:58
12
When I Was a Lad, I Went to Yale
03:00
13
Just Recorded My Third Album
00:35
14
Twas Automation, I Know
03:20
15
Next, My Sociological Phenomenon
02:56
16
Sarah Jockman, Sara Jackman, How Are You?
03:00
17
Why I Keep My Notes on the Floor
02:20
18
Hippopotamus Song (One Hippopotami)
03:28
19
About French Internal Policy During the Latter Half of the Eighteenth Century
00:16
20
You Came the Wrong Way Old King Louis (King Louie the Sixteenth)
03:13
21
I Made a Folk Hero for My Folk
01:12
22
Glory Glory Harry Lewis (Ballad of Harry Louis)
02:44
23
A Nice Letter from Camp, Except...
00:48
24
Camp Granada (Hello Mother Hello Father)
02:52
25
The Beautiful Music Behind My Ridiculous Voice...
01:23
26
No One’s Perfect
03:18
27
Some Shticks and Stones
06:52
28
The Man Was in a Strange City...
01:25
29
When You Walk (Through the Bronx)
03:04
℗ 2022 Allan Sherman © 1963 Curtain Call Productions

Artist bios

Arguably the most successful musical humorist in pop history, song parodist Allan Sherman was born Allan Copelon in Chicago on November 30, 1924. After entering show business as writer for the likes of Jackie Gleason and Joe E. Lewis, Sherman attempted to mount his own career as a performer, but initially found little success; "A Satchel and a Seck," a 1951 duet with comedienne Sylvia Froos satirizing Frank Loesser's "A Bushel and a Peck," went nowhere, and an ambitious attempt to release a full-length Jewish parody of the musical My Fair Lady met with legal resistance from the estate of composers Lerner & Loewe.

Sherman consequently turned to television, creating and producing the long-running quiz show I've Got a Secret. A tenure as the writer-producer of The Steve Allen Show followed, but when the series ended in 1961, Sherman found himself on the unemployment line. After signing a contract with Warner Bros., he released the parody collection My Son, the Folk Singer in 1962. To the shock of the recording industry, radio quickly picked up on the album despite Sherman's obscurity as a performer; according to legend, even President John F. Kennedy was spotted in a hotel lobby singing the cut "Sarah Jackman" (a parody of "Frere Jacques"), further boosting the record's popularity.

Ultimately, My Son, the Folk Singer topped the charts, and spawned a cottage industry of copycat releases. Nonetheless, Sherman remained the unquestioned king of the parody hit, and in late 1962, he returned with a follow-up, My Son, the Celebrity, which, like its predecessor, reached the number one spot. 1963's My Son, the Nut was even more successful, topping the charts for eight consecutive weeks on the strength of the Top Five novelty hit "Hello Muddah, Hello Fadduh," a summer camp-themed take on Ponchielli's 1876 composition "Dance of the Hours."

If, as legend dictates, President Kennedy helped establish Sherman as a star, he also inadvertently contributed to the comedian's drop-off in popularity: following Kennedy's assassination in November 1963, the nation became serious and solemn, with little interest in the breezy fun offered by song parodies. Released in early 1964, Sherman's fourth album, Allan in Wonderland, reached only number 25 on the pop charts; issued later that year at the height of Beatlemania, the concurrent For Swingin' Livers Only! and Peter & the Commissar (recorded with Arthur Fiedler & Boston Pops) fared even more poorly, with the latter record failing even to crack the Top 40.

1965's My Name Is Allan was his last chart effort, reaching only number 88. Still, Sherman soldiered on, recording Live in front of a Las Vegas audience. After 1966's Togetherness, he was dropped by Warner Bros., effectively ending his career as a performer. After publishing an autobiography, A Gift of Laughter, Sherman died in California on November 20, 1973. He was just 48 years old. ~ Jason Ankeny

Read more
Language of performance
English
Customer reviews
5 star
0%
4 star
0%
3 star
0%
2 star
0%
1 star
0%

How are ratings calculated?