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The London Philharmonic Orchestra is a central institution of the British classical concert scene, performing major repertory works, British standards, contemporary music, and more. Especially on recordings, the group has also engaged with music from beyond the classical sphere.

The London Philharmonic Orchestra was formed in 1932 in response to a consensus that London's major orchestras, lacking strong artistic leadership, were inferior to those in Germany and even the U.S. So conductor Sir Thomas Beecham assembled a crack membership of 106 players, and the new orchestra was successful from the start. Beecham steered the group through financial difficulties at the beginning of World War II before resigning for health reasons and due to conflicts over the ensemble's artistic direction. Postwar conductors included Eduard van Beinum (1947 to 1951) and Sir Adrian Boult (1951 to 1958); the latter inaugurated an active recording program, releasing albums that remain standards to this day.

In 1966, Bernard Haitink became the orchestra's principal conductor; his tenure, lasting until 1979, was longer than that of any other conductor of the group until Vladimir Jurowski. The orchestra renovated a disused church, renamed it Henry Wood Hall, and began to use the space for rehearsals and recordings in 1975. Haitink's successor was another giant, Sir Georg Solti, who served as principal conductor from 1979 to 1983 and continued as conductor emeritus afterward, often appearing and recording with the orchestra. Solti was succeeded by a trio of Germans, Klaus Tennstedt in 1983, Franz Welser-Möst in 1990, and Kurt Masur in 2000. Welser-Möst officially installed the orchestra as the resident ensemble of the Royal Festival Hall, which remains its main concert venue.

The orchestra has also had numerous guest conductors over the years, and these have been responsible for many of its crossover releases. Although not as active in this field as the London Symphony Orchestra, the London Philharmonic has made high-visibility film soundtrack recordings. These include soundtracks for such films as Jesus Christ Superstar (1973), The Fly (1986), and the trilogy The Lord of the Rings, as well as the anthology Academy Award Themes (1984). The orchestra has released albums devoted to the music of progressive rock bands Pink Floyd and Yes, and as far back as 1959, it released the album Hawaiian Paradise. In 2011, the London Philharmonic recorded 205 national anthems in preparation for the London Olympic Games of the following year. The orchestra's album releases, classical and otherwise, numbered 280 by 1997 and has increased by well over 250 albums since then; in the year 2001 alone, the orchestra released 21 albums. The London Philharmonic established its own LPO label in the mid-2000s decade and has issued large amounts of music, both classical and not, including Genius of Film Music: Hollywood Blockbusters 1980s to 2000s, in 2018.

In 2007, the London Philharmonic was in the forefront of taking advantage of the wave of talented Russian musicians who had emigrated to the West, installing Vladimir Jurowski as principal conductor. He remained in the post until 2020, becoming the orchestra's longest-serving conductor and leading the group in a 2021 recording of Mahler's Symphony No. 8 ("Symphony of a Thousand"). In 2020, Karina Canellakis became the orchestra's first female principal guest conductor. Jurowski was succeeded in 2021 by Edward Gardner, who became the group's first British principal conductor for decades. ~ James Manheim

Funded and administered by the British Broadcasting Company, the BBC Symphony Orchestra has, since its establishment in 1930, enjoyed freedom from the financial concerns that often plague independent orchestras. Because of this, it has been able to engage in more adventurous programming than many other major orchestras, focusing on new or less familiar compositions. In addition to its full schedule of broadcast performances for BBC Radio 3, the BBC Symphony performs more than 70 public concerts a year. With its affinity for contemporary compositions, this ensemble of approximately 100 musicians has earned its reputation as one of the foremost broadcasting orchestras in Europe.

Although it was not officially established until 1930, plans for a BBC Orchestra were hatched in 1927. Negotiations delayed the fruition of these plans until Adrian Boult was appointed director of music in January 1930. The orchestra offered its first performance in October 1930 at Queen's Hall, playing Wagner, Brahms, and Ravel to enthusiastic reviews. During its early years, the orchestra established its commitment to new and unusual repertoire by programming works by such contemporary composers as Schoenberg, Bartók, and Alban Berg, many of which were conducted by the composers themselves. Boult insisted that music by British composers be prominently represented in the orchestra's repertoire; to that end, the BBC Symphony presented broadcasts of works by Constant Lambert, Edward Elgar, and Ralph Vaughan Williams.

In 1935, administrators began to express concern over the organization's programming policies; the ensuing tensions between the BBC and the artistic directors of the orchestra boiled over in 1936, and Edward Clark, who was a primary figure in forming the BBC's musical policy, angrily resigned. For the next 25 years, the orchestra's repertoire became considerably more focused on the works of Romantic and post-Romantic composers, temporarily leaving behind the ensemble's penchant for more contemporary music. After Boult's retirement in 1950, Sir Malcolm Sargent was appointed chief conductor. His otherwise unremarkable tenure included the establishment of the Henry Wood Promenade Concerts at Queen's Hall (and later at the Royal Albert Hall) and the opening of the Royal Festival Hall, which became one of the orchestra's permanent concert venues. Sargent was succeeded in 1957 by Rudolf Schwarz, who began once again to broaden the orchestra's repertoire.

The BBC Symphony commissioned and premiered several pieces by composers such as Roberto Gerhard during the 1960s in an effort to elevate the international status of the orchestra. Unfortunately, financial constraints did not allow the BBC Symphony to blossom as was hoped, but the changes made by Schwarz helped the orchestra recover some of its former glory. Antal Doráti replaced Schwarz as chief conductor of the orchestra in 1963 and organized the ensemble's first American tour in 1965. Sharing the podium with Pierre Boulez, Doráti's adventurous choice of repertoire focused on works by distinguished contemporary composers, and this highly successful tour brought the orchestra its long-sought international recognition. Boulez's affiliation with the BBC Symphony was instrumental in bringing the orchestra's concert repertoire back to its original focus on new works.

Boulez's tenure was followed by an exceptional list of internationally prominent conductors, including Rudolf Kempe, Gennady Rozhdestvensky, and Leonard Slatkin, among others. Sakari Oramo was named chief conductor in 2013 after a guest conducting performance. In 2019, Dalia Stasevska was named principal guest conductor, the first woman to hold the post in the orchestra's history.

While its broadcast and live performances are the main attraction for the BBC Symphony, it also has an extensive recording history. The orchestra has recorded with such labels as NMC, Warner Classics, and Chandos. On the latter, it released Sibelius: Lemminkäinen Suite; Spring Song; Suite from Belshazzar's Feast under Oramo in 2019. 2022 saw the release of several reissued and new recordings, including Oramo leading the orchestra in music by Dora Pejačević, with Peter Donohoe as the soloist on the composer's Piano Concerto.

While the BBC Symphony and the BBC Concert Orchestra are based in London, regional BBC orchestras are resident in Manchester (BBC Philharmonic), Glasgow (BBC Scottish Symphony Orchestra), and Cardiff (BBC National Orchestra of Wales). ~ Corie Stanton Root