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A gifted pianist and composer, Kris Bowers makes genre-bending jazz that touches upon contemporary R&B, electronica, and forward-thinking modal improvisation. Bowers gained wider prominence after winning the 2011 Thelonious Monk International Jazz Piano Competition and releasing his expansive 2014 album Heroes + Misfits. He also composes for film, having contributed the soundtracks to the 2016 documentary Norman Lear: Just Another Version of You, the 2018 Oscar-winning film Green Book, and 2020's Bad Hair. He earned a Grammy nomination for his 2023 score for Netflix's Bridgerton, and garnered yet more acclaim for his score to Ava Duvernay's film Origin and the 2023 version of The Color Purple.

Born in Los Angeles in 1989, Bowers grew up listening to his parents' classic soul records and hip-hop before falling under the spell of jazz, classical music, and film scores. He studied classical piano and jazz while attending Los Angeles County High School for the Arts, and performed in numerous festivals while still a teenager. After high school, he earned both undergraduate and master's degrees in jazz performance from Juilliard. It was there that Bowers began making a name for himself as a formidable jazz musician, and he found regular work gigging around New York City. In 2011, he won first place in the prestigious Thelonious Monk International Jazz Piano Competition. That same year, he showcased his versatility by appearing on Jay-Z and Kanye West's collaborative album Watch the Throne.

In 2014, Bowers released his experimental jazz, R&B, and electronic-influenced debut album, Heroes + Misfits, on Concord. Around the same time, he began branching out into film work, scoring the soundtrack to such productions as the 2013 documentaries Seeds of Time and Elaine Stritch: Shoot Me, the 2016 documentary Norman Lear: Just Another Version of You, and the 2017 scripted drama Dear White People. He also supplied the soundtrack to the 2018 Oscar-winning biopic film Green Book, about pianist Don Shirley. More soundtrack work followed, including for the 2020 TV production Mrs. America and the satirical horror film Bad Hair. Later that year, he contributed to both Bridgerton and Bridgerton: Covers from the Netflix Original Series, picking up a Grammy nomination for Best Score Soundtrack for Visual Media. Also that year, he scored director Blitz Bazawule's version of The Color Purple and Ava Duvernay's Origin. ~ Matt Collar

An American composer who has written works for concert orchestra, film, and theater, among other varied media, Michael Abels is most widely known for his suspenseful, often-jarring horror scores for director Jordan Peele. Recognized in classical circles for merging elements of popular music into orchestral classical pieces such as Global Warming (1991) and Delights & Dances (2007), he made his big-screen debut with Peele's 2017 film Get Out. Their third hit collaboration, Nope, saw release in 2022.

Born in Phoenix, Arizona, and raised in rural South Dakota, Abels began taking piano lessons at a young age. He went on to study piano at the University of Southern California, following it in 1985 and 1986 with enrollment at the California Institute for the Arts, where he studied West African music. His early piece Global Warning, a commission by the Phoenix Youth Symphony, was an orchestral work honoring international folk musics. After its premiere in 1991, it was later performed by such prestigious groups as the Chicago, Baltimore, and Detroit Symphony Orchestras, just to name a few. Following the election of President Nelson Mandela, Global Warming was among the first works by an African-American composer to be performed by the National Symphony of South Africa. Some of Abels' other compositions from the '90s included American Variations on Swing Low Sweet Chariot (premiered in 1993 by Doc Severinsen and the Phoenix Symphony), Frederick's Fables (premiered in 1994 with narrators James Earl Jones and Garrison Keillor), and 1998's Dance for Martin's Dream, a tribute to Martin Luther King, Jr. A commission for the Los Angeles Opera, Abels' opera Homies & Popz debuted in 2000. It told the story of activist Ted Hayes, who successfully organized a cricket team for L.A.'s inner-city youth.

Abels responded to the September 11 attacks in 2001 with the chorale Tribute, which was the first piece to be performed by the National Symphony Orchestra following 9/11. Works including Urban Legends and Aquadia -- a co-commission by the Chicago Sinfonietta and Shedd Aquarium for an installation -- followed in the late 2000s.

Abels' first music for a film was the score to early 2017's Get Out, the directorial debut of actor/writer Jordan Peele. The soundtrack recording arrived on Back Lot Music (digital) and Waxwork (vinyl). That same year, the composer provided additional music for the crime drama Detroit, with main composer James Newton Howard. Abels rejoined Peele for the horror/thriller Us, released in theaters in 2019, with the score also issued on Back Lot and Waxwork. In the meantime, demand for his scores picked up considerably, and his music could be heard in the sci-fi film See You Yesterday (2019), crime drama Bad Education (2020), and dark fantasy Nightbooks (2021), just to name some of his projects before he reunited with Peele for 2022's Nope, a blockbuster genre-bender filmed with IMAX cameras. Abels' soundtrack for the low-budget thriller Breaking followed later the same year. ~ Marcy Donelson