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A longstanding leader in contemporary electronic music, composer and multi-instrumentalist Steve Roach draws on the beauty and power of the Earth's landscapes to create lush, meditative soundscapes. Throughout his decades-long career, he explored styles ranging from tribal rhythms to deep space music, and he's proven to be an enormous influence on several generations of ambient artists, trance producers, and new age/world music fusionists. First emerging with the Berlin School-styled Now in 1982, he came into his own with the 1984 minimalist epic Structures from Silence, often regarded as one of the best ambient albums of all time. Efforts such as 1988's equally heralded Dreamtime Return were directly inspired by desert life, incorporating field recordings and rhythms informed by indigenous music traditions. Dark ambient works such as 1996's The Magnificent Void and 2000's Midnight Moon reflected the vast expanse of space. During the 2010s, he began building an extensive modular synthesizer/sequencer system, revisiting his Berlin School roots with albums such as 2015's Skeleton Keys. Also known for his immersive concerts and cathedral performances, he has issued over a dozen live albums, including 2024's Waves of Now, a reunion with early collaborator Robert Rich. Roach has maintained an impossibly prolific work rate throughout his career without sacrificing quality or craftsmanship, resulting in countless hours of truly sublime, otherworldly music.

Born in California in 1955, Roach -- inspired by the music of Tangerine Dream, Klaus Schulze, and Vangelis -- taught himself to play synthesizer at the age of 20. Debuting in 1982 with the album Now, his early work was quite reminiscent of his inspirations, but with 1984's Structures from Silence, his music began taking enormous strides. The album's expansive and mysterious atmosphere was partly inspired by the natural beauty of the southwestern U.S. Subsequent works, including 1986's three-volume Quiet Music series, honed Roach's approach, his dense, swirling textures and hypnotic rhythms akin to environmental sound sculptures.

In 1988, inspired by the Peter Weir film The Last Wave, Roach journeyed to the Australian outback, with field recordings of aboriginal life inspiring his acknowledged masterpiece, the double-album Dreamtime Return. A year later, he teamed with percussionist Michael Shrieve and guitarist David Torn for The Leaving Time, an experiment in ambient jazz. After relocating to the desert outskirts of Tucson, Arizona, Roach established his own recording studio, Timeroom. In the years to follow, he grew increasingly prolific, creating both as a solo artist and in tandem with acts including Robert Rich, Michael Stearns, Jorge Reyes, and Kevin Braheny; in all, he recorded close to two-dozen major works in the '90s alone, all of them located at different points on the space-time continuum separating modern technology and primitive music. These range from the tribal ambient of Robert Rich collaborations Strata (1990) and Soma (1992) to darker albums like 1996's The Magnificent Void, plus many collaborations with dark ambient artist Vidna Obmana.

Throughout the remainder of the 2000s, Roach remained extremely prolific. His release schedule included several Projekt titles, including 2002's Trance Spirits (with Jeffrey Fayman, Robert Fripp, and Momodou Kah) and the quadruple-disc Mystic Chords & Sacred Spaces (2003). He also collaborated extensively with fellow Projekt artists such as drummer Byron Metcalf and Erik Wøllo and released several albums of minimalist drone as part of the Immersion series. He also self-released several titles on his own through Timeroom Editions. Over the next decade, Roach would show no signs of slowing down as he continued with a nonstop slew of new material under his own name, as well as collaborations and soundtrack work. Though new volumes of work appeared at a rate of more than three albums per year, standouts included more collaborations with Byron Metcalf, 2013's Future Flows, 2014's disparate releases of arid road trip music on The Desert Collection, and ambient explorations of mortality and humanity on The Delicate Forever.

Roach began constructing an extensive analog modular synthesizer system in 2014, and in 2015 the album Skeleton Keys was composed entirely using this setup. In 2016, he released two full-lengths with Robert Logan (the more rhythmic Biosonic and the serene drone album Second Nature), as well as solo efforts This Place to Be and Shadow of Time. The ever-prolific composer remained busy throughout 2017 with releases like Painting in the Dark, Fade to Gray, Spiral Revelation, and The Passing. In August of that year, Roach returned to the Projekt label with the long-form ambient work Long Thoughts. The same label released 2018's Berlin School-styled Molecules of Motion, while Roach celebrated the 30th anniversary of Dreamtime Return with the self-released live recording Return to the Dreamtime. This was concurrently released with Electron Birth, containing one live performance and one studio creation. A gaseous ambient album titled Mercurius appeared in November of 2018. In 2019, Roach released collaborations with Radiant Mind (Heliosphere) and Sam Rosenthal with Nick Shadow (The Gesture of History), in addition to solo efforts Bloom Ascension, Trance Archaeology, and Stillpoint.

The Sky Opens, recorded live at the First United Methodist Church in Pasadena, was released in 2020. Roach also performed live-streamed concerts during the COVID-19 pandemic lockdown and issued them as albums. Roach collaborated with healing arts practitioner Serena Gabriel on the releases Nectar Meditation and Inanna's Dream. He also released the solo albums Tomorrow and A Soul Ascends. Additional albums with Gabriel appeared in 2021, as well as the Michael Stearns collaboration Beyond Earth & Sky and the solo effort As It Is. The three-hour Zones, Drones & Atmospheres arrived on the first day of 2022. Two darker efforts, Nautical Twilight (with Frank Beissel) and What Remains, soon followed, and Essentials 1984-2004 Space and Time compiled highlights from the first few decades of the artist's career. Recordings of cathedral concerts in New York and Los Angeles appeared in 2023, as well as the double-CD studio efforts Rest of Life and Sanctuary of Desire. Integration Being consisted of alternate and extended versions of pieces from the latter release. The Desert Wind of Change, recorded in front of a live audience as part of Roach's year-long Ambient Lounge artist residency at the Century Room in Tucson, appeared on the first day of 2024. Also as part of the Ambient Lounge series, Roach reunited with Robert Rich for the first time in 30 years and their performance was released as Waves of Now. ~ Jason Ankeny & Paul Simpson

California native Robert Rich is a crucial figure in the development of several forms of experimental electronic and ambient music, from ethno-fusion and environmental to dark ambient and space music. He began performing all-night sleep concerts in the early 1980s, and has since performed in a multitude of unconventional spaces, including caves, cathedrals, and galleries. His work reached a wider audience with the 1989 release of Rainforest, which combined natural sounds with electronic drones and exotic instrumentation, set apart by Rich's use of just intonation. He released several well-received collaborations during the '90s, including two albums with Steve Roach and the 1995 dark ambient classic Stalker (with B. Lustmord), in addition to warm, organic solo efforts like the Arabic-inspired Seven Veils (1998). His 21st century work has ranged from the "lost ritual music" of the acoustic Temple of the Invisible (2003) to the richly textured kinetic electronics of Filaments (2015). He is also a scholar of just intonation, writing regularly on the topic and co-authoring the software program JICalc.

Rich began experimenting with electronics in the mid-'70s -- he started building analog synthesizers when he was 13 years old -- before attending Stanford University, where he completed a degree in psychology. While at Stanford, Rich's involvement in the university's prestigious Center for Computer Research in Music and Acoustics expanded his interest in electronic composition, as well as bringing him in contact with a wide range of nontraditional, non-Western musical ideas. Rich's performance of several all-night sleep concerts during this period also helped solidify an aesthetic focus on psycho-acoustics, perceptible in early recordings such as Trances (1984) and Numena (1987).

Rich's profile was raised considerably when Rainforest was released by Hearts of Space in 1989. Much more mature and cleaner-sounding than his earlier material, his work combined electro-acoustical elements (Rich plays a wide range of instruments, from synths and effects racks to hand drums and flute) with an increasing interest in digital sound manipulation. Inspired by the more textural works of artists like SPK and Throbbing Gristle, Rich's interest in the edgier side of electronic composition also earned him a reputation among fans of gothic, industrial, and dark ambient, hinted at with his Steve Roach collaborations (1990's Strata and 1992's Soma) and made most obvious by the 1995 cult favorite Stalker, with Brian Williams of Lustmord. Fissures, a 1997 collaboration with Alio Die, was a fluid blend of acoustic instruments and haunting drones, and 1998 solo release Seven Veils explored Middle Eastern influences.

By this time, Rich had become a well-respected sound designer, developing presets for synthesizers and sound modules, as well as working on Hollywood films. He also developed loops for Sonic Foundry's ACID music software. Live triple-album Humidity: Three Concerts was released through Rich's own Soundscape label in 2000, and Bestiary appeared on Release Entertainment in 2001. During the same year, Rich released the seven-hour audio-DVD Somnium, a re-creation of one of the aforementioned sleep concerts from the 1980s (he had revived the format in 1996). Outpost, with Ian Boddy, was released by DiN in 2002. The acoustic Temple of the Invisible, recorded with several guest musicians and incorporating a variety of North African, Asian, and European traditions, appeared in 2003. In 2004, Rich released Calling Down the Sky, a dark drone album recorded live in Denver, and Open Window, comprising improvised piano solos.

Rich remained productive, issuing solo works like 2006's pulsating Electric Ladder, a film score (2007's Atlas Dei), and further collaborations with Boddy as well as Markus Reuter and Faryus. After the release of a live archival series in 2009, Rich continued to issue studio albums, including 2010's Ylang and 2012's well-received ambient work Nest. Perpetual, a continuation of Somnium, was released as a Blu-ray Audio disc in 2014. The Berlin School-influenced Filaments appeared in 2015. The darker Vestiges and more tribal What We Left Behind both saw release in 2016. In 2017, Rich issued Live at the Gatherings 2015 and Lift a Feather to the Flood, his second collaboration with Markus Reuter. Solo full-length The Biode was released in 2018, and double album Tactile Ground came out in 2019. ~ Sean Cooper & Paul Simpson