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Katia Labèque & Marielle Labèque

Glass: La Belle et la Bête: VI. La confiance de la Bête - Arr. for Piano duet

Katia Labèque & Marielle Labèque

1 SONG • 4 MINUTES • JAN 26 2024

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Glass: La Belle et la Bête - Arr. for Piano duet: VI. La confiance de la Bête
04:21
℗© 2024 KML Recordings, under Exclusive License to Decca Records France

Artist bios

Katia Labèque is a French pianist known for her longtime collaboration with her younger sister in the Katia & Marielle Labèque piano duo. She was born in 1950 in Hendaye, France, and she started playing the piano when she was five years old. She received early instruction from her mother Ada Cecchi, who was an accomplished pianist and former pupil of Marguerite Long. Her father was also a musician and sang in the choir of the Bordeaux Opera. Later, Labèque and her younger sister Marielle studied piano together under Lucette Descaves at the Paris Conservatory. After they graduated in 1968, they continued their education and enrolled in the cycle de perfectionnement under Jean Hubeau, where they focused on repertoire for two pianos. The following year, they released their debut album Olivier Messiaen: Visions De L'Amen. This was followed by several recordings in the '70s including Bartok: Sonata for 2 Pianos and Percussion, Rachmaninov: 24 Preludes; Suite No. 2, and Hindemith - Martinu. They became quite popular through their recordings and touring from around this time, but they gained worldwide acclaim after their 1980 album Gershwin: Rhapsody in Blue sold over 500,000 copies. The duo became known for their interpretations of both standard repertoire and contemporary works, and composers such as Philip Glass, Luciano Berio, and Arvo Pärt have written pieces especially for them. Labèque was married to jazz fusion guitarist John McLaughlin in the '80s, and they toured together and recorded Belo Horizonte, Music Spoken Here, and Mediterranean. The duo explored Baroque repertoire in the late '90s and performed under many of the top conductors of the genre, including Simon Rattle, John Eliot Gardiner, and Andrea Marcon. After a ten-year-long break from recording, she cofounded the KML Recordings label with her sister in 2007. The label was dedicated to releasing their own recordings and those of young and experimental ensembles from other genres, such as Dream House, Kalakan, and Red Velvet. Labèque remained very active with the piano duo through the 2010s and recorded several albums on the KML label, including Gershwin: Rhapsody in Blue; Bernstein: West Side Story and Minimalist Dream House. Since 2020, she has premiered works by Nico Muhly and Bryce Dessner and appeared on the albums Nazareno: Bernstein, Stravinsky, Golijov, and Philip Glass: Cocteau Trilogy. ~ RJ Lambert

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Marielle Labèque is a French pianist known for her long collaboration with her sister in the Katia and Marielle Labèque piano duo. She also co-founded the Studio KML and KML Recordings label, which supports young and experimental recording artists. She was born in Bayonne in 1952, and both of her parents were musicians. Her father sang in the choir of the Bordeaux Opera, and her mother, Ada Cecchi, was a pianist and former student of Marguerite Long. Labèque and her older sister Katia began learning the piano from their mother in 1955, and later they studied piano at the Paris Conservatory. After her graduation in 1968 she started learning four-hand and two-piano repertoire with her sister under Jean Hubeau in the cycle de perfectionnement, and in 1969 they made their recording debut with the album Olivier Messiaen: Visions De L'Amen. They continued in this genre through the '70s and became very popular, but they gained worldwide acclaim after their 1980 album Gershwin: Rhapsody in Blue sold over 500,000 copies. They performed and recorded the standard repertoire and new works by composers such as Philip Glass, Luciano Berio, and Arvo Pärt. Labèque and her sister explored Baroque repertoire in the late '90s and performed under many of the top conductors of the genre, including Simon Rattle, John Eliot Gardiner, and Andrea Marcon. It was also around this time when Labèque married conductor Semyon Bychkov. After a ten-year-long break from recording, she cofounded the KML Recordings label with her sister in 2007, where they released their own records and those of young and experimental ensembles from other genres, such as Dream House, Kalakan, and Red Velvet. Labèque remained very active with the piano duo through the 2010s and recorded several albums on the KML label, including Gershwin: Rhapsody in Blue; Bernstein: West Side Story and Minimalist Dream House. Since 2020 she has appeared on the albums Nazareno: Bernstein, Stravinsky, Golijov and Dream House Quartet. Labèque resides with her sister in a palace in Rome and travels with her husband. ~ RJ Lambert

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