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Known foremost as an exemplary collaborator across genres and generations, Amp Fiddler was above all an R&B musician, a keyboardist who put funk into everything with understated elegance and minimal flash, and a singer who could soothe and galvanize in the same verse. A vital Detroit player and connector for over 40 years, Fiddler came up in the '80s as a touring keyboardist with Enchantment, R.J.'s Latest Arrival, and Was (Not Was) before he entered the Parliament-Funkadelic galaxy. A P-Funk associate for well over a decade, he concurrently stretched out as a versatile session hand, enhancing recordings by the likes of Warren Zevon, Seal, and Maxwell, and he closely mentored and championed Jay Dee (aka J Dilla) before the hip-hop producer launched an unparalleled career. Beside brother Bubz, Fiddler temporarily stepped out of the background as one-half of the duo Mr. Fiddler, releasing the uniquely stylish and out-of-step With Respect in 1991. Not until the following decade would Fiddler finally slide into the spotlight as a solo artist. His 2003 full-length debut Waltz of a Ghetto Fly, a hybrid of soul, funk, and house fueled in part by an alliance with Moodymann, was warmly received with two singles landing on the U.K. pop chart. After the follow-up Afro Strut in 2006, side work again took precedence for Fiddler until he put together the party-oriented Motor City Booty in 2016. Live and studio projects with Will Sessions followed soon thereafter, as did Amp Dog Knights, his last solo album, released in 2017. Fiddler's boundless collaborative work continued into the next decade, until his death from cancer in 2023.

A Detroiter from his birth, Joseph Anthony "Amp" Fiddler started taking piano lessons in his teens. After graduating from Osborn High School, he continued his musical studies locally at Wayne County Community College, Oakland Community College, and Oakland University, where he was mentored by composer, pianist, and Tribe co-founder Harold McKinney. Around this time, at the dawn of the '80s, Fiddler was behind "Spaced Outta Place," a full-bodied dancefloor funk workout originally released under the name Space Cadets, and then Sundown on a subsequent pressing. (The song was given new life on Kon & Amir's 2007 DJ mix Off Track, Vol. 1, and in 2022 was reissued by Theo Parrish's Sound Signature label.) Fiddler put academics behind him upon joining Enchantment as the group's touring keyboardist in 1982. This led to stints with R.J.'s Latest Arrival and Was (Not Was), followed by a decade-plus adventure with George Clinton's Parliament-Funkadelic. Fiddler's affiliation with Clinton began in 1984 and quickly extended to the studio, peaking commercially with "Do Fries Go with That Shake?," a 1986 Top 20 R&B hit for Clinton.

During breaks from his P-Funk duties, Fiddler diversified with assorted session work for the likes of Cheryl Lynn and Warren Zevon. He also played on What Up, Dog?, the 1988 commercial breakthrough of Was (Not Was), and in 1990 contributed to Prince's Graffiti Bridge soundtrack, heard on "We Can Funk," featuring Clinton. Meanwhile, Fiddler and his bassist brother Bubz were plotting their Mr. Fiddler project, a synthesis of new jack swing and vintage inspirations that enabled Amp to indulge in his longtime obsession with '40s jazz. Created with numerous P-Funk associates and then-unknown collaborators ranging from Brian McKnight to Danny Saber, With Respect, the lone Mr. Fiddler album, was released on Elektra in February 1991. A combination of label politics and unadventurous radio programmers prevented its singles from receiving much attention. The LP languished as a consequence.

Fiddler had used his advance check from Elektra to invest in gear that enabled him to turn his Detroit basement into a recording studio. The music heard from outside his house prompted a member of a young hip-hop collective, Ghost Town, to approach him for help. Fiddler obliged, and among a resulting influx of visitors to "Camp Amp" was a teenaged James Yancey, aka Jon Doe (later known as Jay Dee and J Dilla), then of Ssenepod, an embryonic version of Slum Village. Fiddler taught Yancey how to use his MPC and also allowed the aspiring producer to woodshed on the premises. He also became a crucial connector, introducing Yancey to Q-Tip of A Tribe Called Quest -- Lollapalooza 1994 tour mates of George Clinton & the P-Funk All-Stars -- beginning a groundswell of high-profile admiration for Slum Village's early recordings, leading to ATCQ onboarding Yancey as a production partner. Meanwhile, Fiddler was completing some of his most significant session work. In 1994 alone, he was on hit recordings by three major U.K. acts: Primal Scream's Give Out But Don't Give Up, Brand New Heavies' "Dream On Dreamer," and Seal's "Kiss from a Rose," the last of which also topped the pop chart in the U.S. Before the end of the '90s, Fiddler had also contributed to Maxwell's Urban Hang Suite and additional efforts by the likes of Clinton, Too $hort, and the Dramatics' L.J. Reynolds. Mr. Fiddler briefly resurfaced in 1998 with the U.K.-only single "Waltz of a Ghetto Fly."

Coming off tours playing with George Clinton and the supergroup Lucy Pearl, Fiddler in the 2000s spent more time developing his own material while establishing links with a younger generation of Detroit-based dance music producers. He appeared on tracks produced by Moodymann -- such as "I'm Doing Fine," credited to the alias Amp Dog Knight -- and factored heavily in the self-titled album by Carl Craig's Detroit Experiment, playing Fender Rhodes, synthesizer, and organ on numerous tracks, and also fronting an update of Stevie Wonder's "Too High." In 2002, just before the release of The Detroit Experiment, Fiddler launched his solo career on the U.K.-based Genuine label with Basementality, an EP mixing soul, funk, and house. That and the following 2003 EP Love and War became the foundation of the full-length Waltz of a Ghetto Fly, issued in January 2004 with brother Bubz and son Dorian, as well as Clinton, J Dilla, Moodymann, and Raphael Saadiq, all in support. Combined with a featured appearance on Only Child's "U Bring Me Vibes," a club hit he co-wrote and fronted, Fiddler was brought to the attention of a younger audience, a portion of which figured he was a newcomer instead of a funk veteran in his mid-40s. This was particularly true in the U.K., where Waltz of a Ghetto Fly's midtempo funk singles "I Believe in You" and "Dreamin'" hit the pop chart, peaking respectively at number 72 and number 71, sending the parent release to the 82nd position on the album chart.

Interest in Fiddler as a solo artist and collaborator increased. He followed up in 2006 with the lively and more organic Afro Strut. Even more freely collaborative than the debut, Afro Strut featured contributions from the likes of Tony Allen, Jean-Paul "Bluey" Maunick, and Stephanie McKay, as well as longtime associates like Garry Shider and Chris Bruce, plus Tribe reedist Wendell Harrison and guitarist Rob Bacon, two largely unheralded musicians representing multiple generations of the Detroit music scene. The album was reworked for U.S. release in 2007, adding Corinne Bailey Rae as a duet partner to "If I Don't," a playful early-jazz throwback. Fiddler a year later teamed with Sly & Robbie to set off Strut Records' Inspiration Information series, recording the LP of the same title on the reggae rhythm-section legends' home turf in Kingston. Fiddler remained similarly inclusive when it came to lending his time to other artists' projects, appearing on late-2000s albums from Tribe, Leon Ware, and Ta'Raach, and tightening his U.K. link on the Basement Jaxx album Scars. Additionally in 2009, he took part in the orchestral Dilla tribute concert Timeless: Suite for Ma Dukes, released the next year.

In the 2010s and 2020s, Fiddler was a little more active as a live musician and studio collaborator than as a solo artist. He self-released the digital Basementality 2 and Basementality 3 EPs in 2014 and 2015, and in 2016, he issued the party record Motor City Booty, co-produced and released by Yam Who?, with Detroit vocal group Dames Brown showcased throughout. He teamed with Will Sessions for 2017's Kindred Live, an in-concert companion to the Detroit band's studio fusion tribute (with versions of classics such as Miles Davis' "Bitches Brew" and Weather Report's "River People"), and 2018's The One, the funk-forward majority of which he co-wrote. Between those two collaborations, Fiddler unloaded the likewise funky Amp Dog Knights through Moodymann's Mahogani Music. Pitching in were Detroiters such as Waajeed and Andrés, and "Return of the Ghetto Fly" and "Through Your Soul" utilized long-dormant Dilla beats from a zip disk Fiddler rescued after it had been stolen. (Dilla granted the beats to Fiddler as thanks for his early support.) All the while, Fiddler quietly racked up side credits and featured appearances. He recorded with José James (No Beginning No End), Lakecia Benjamin (Retox), Raphael Saadiq (Stone Rollin'), and Meshell Ndegeocello (including Comet, Come to Me), among many other long-term associates and contemporaries spanning several genres. He died on December 18, 2023 after a multiyear battle with cancer. ~ Andy Kellman

Orlando Voorn is a Dutch DJ and producer with strong ties to Detroit. He was one of dance music's first figures to establish a connection between Amsterdam and the Motor City during the early '90s, releasing landmark records on Kevin Saunderson's KMS and Derrick May's Fragile Records, as well as collaborations with Juan Atkins and Blake Baxter. Though he is often known for making Detroit-style techno and deep house, his vast, multi-monikered discography contains diversions into numerous styles including acid, hardcore, tribal house, and electro-funk. Voorn ventured into drum'n'bass with 1999's Redeye, his first album under his own name. During the 2000s, he relocated to Detroit and became part of Underground Resistance's Submerge family, issuing material on his Ignitor imprint. He returned to his hip-hop roots with 2013's La Cliqa, and continued releasing exploratory techno and house records such as 2016's In My World and the more abstract, space-themed Star Travel (2021). In 2023, Voorn collaborated with fellow Dutch artist Emil on two soulful house EPs, Heist Mastercuts, Pt. 2 (also featuring Chicago legend Boo Williams) and Handshake.

Born in Amsterdam in 1968, Orlando Voorn began to DJ with hip-hop and electro records when he was around 12, and started entering mix competitions a few years later. He won the Dutch DMC DJ Championship in 1986 and placed third in the worldwide competition. He soon began producing hip-hop as Fixomatic, releasing the single "Hurt 'Em Bad" in 1988, followed by an acid house single as X-It (1989's "Keep the Party Goin'") and the hip-house song "Let's Rock This Party" as Trigger in 1990. He then began releasing more rave-friendly records as Frequency, the Nighttripper, and Format. His work soon caught the attention of Detroit techno pioneers Juan Atkins, who flew to Holland and worked with Voorn on a remix of the Frequency track "Industrial Metal," and Blake Baxter, who collaborated with Voorn as Ghetto Brothers. Voorn visited Detroit for the first time in 1992, and was immediately treated like family by the city's techno community. Kevin Saunderson's KMS released Voorn's classic 1992 single "Flash" (under the name Fix), and "Midi Merge" (as Complex) was issued by Derrick May's Fragile Records in 1993. Further releases appeared under names like Limited Edition, Basic Bastard, and Hammerhead (a one-off hardcore EP for Amsterdam's Mokum Records). Voorn founded the Night Vision label in 1994 and released the home listening album Roomservice as the Living Room, in addition to club singles under yet more pseudonyms like Baruka and Defence.

Voorn released Hot Wax, Vol 1: Floorwax, a mix compilation with Chicago house pioneer DJ Pierre, in 1995; it was later issued in North America as Global House Culture, Vol. 3. "In da Jungle," a tribal house single first released under the name Playboy in 1996, became one of Voorn's biggest club tracks and was remixed numerous times over the years. A full-length by Voorn's alias the Nighttripper, simply titled The Album, appeared in 1997. As Maniax Traxxx, he released singles on Satori Records and its parent label, R&S. Another moniker, the Stalker, released the full-length The Riderman on Voorn's short-lived Slamdunk imprint in 1999. The first full-length under Voorn's own name, Redeye, was a surprising excursion into drum'n'bass and breakbeat. The double-CD Best of Nightvision rounded up key tracks from Voorn's myriad projects.

Following a highly productive decade-plus release schedule, Voorn was forced into hiatus for contractual reasons. He relocated to Detroit and re-emerged in 2003, founding the Submerge-distributed Ignitor imprint and releasing Fix and Basic Bastard singles, as well as reissues of some of his best-known tracks. The Submerge-issued CD Ignitor compiled tracks issued through the label. Voorn also participated in Blak Presidents, a UR-related funk-rock supergroup who released the album Fight the Future in 2007. Though still active with numerous aliases, Voorn became even more productive under his own name than before, releasing singles on labels like R&S, Underground Liberation, and Finest Blend Recordings. He relaunched Night Vision near the end of the decade, issuing singles including the Barack Obama-sampling "Yes We Can!"

Remaining as prolific as ever, Voorn began releasing full-lengths more frequently during the 2010s. Divine Intervention was issued by Subwax Excursions in 2013, while La Cliqa, a long-in-the-works hip-hop album, appeared on Vital Force. Voorn continued releasing exploratory techno albums like 2014's Black Diamond (Out-Er) and 2016's Divine Intervention V.2 (Subwax Excursions) and In My World (Rush Hour). Labels like Musique pour la Danse and Eat More House issued collections of Voorn's older material, with the latter releasing Basic Bastard's The Album. Mind Merge, a full collaboration between Voorn's Frequency alias and Juan Atkins, was issued by Out-Er in 2017. Revisiting another early Detroit connection, Voorn released the Onis EP (with Pushmann) on KMS. Collabs 001, a house LP including co-productions by artists including Santonio Echols and Denizo, was issued by Housewax in 2018. The Luca Lozano collaboration Obey the Night (Multiplex) and the Rejected City EP on E-Beamz were among several Voorn releases in 2019.

Settled back in Holland, Voorn kept up his productive pace into the 2020s, with releases like Moments in Magic (Goldmin Music) and the funk-heavy house album The Master (Contrafact). Jeff Mills' Axis released Voorn's experimental album Star Travel in 2021. Voorn also surfaced on Kompakt with 2021's Internal Destination, followed by 2022's So Deep. His Nighttripper Records released Planet Odnalro in 2022. A pair of Heist Mastercuts EPs appeared on Dam Swindle's Heist label, with the second including collaborations with Chicago's Boo Williams and Holland's Emil. Also in 2023, Voorn released "I'm So Detroit" ("you better ask Michael Banks"), an EP titled Outerworld which flirted with trap, and a full EP with Emil titled Handshake. ~ Paul Simpson