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The groove-laden, genre-bending British jazz-funk outfit Ezra Collective are one of the more ubiquitous groups on the dynamic London jazz scene. While their wildly energetic live gigs brought out people in droves, it was the wide release of their debut album, 2019's You Can't Steal My Joy, that helped break the jazz mold. They toured England and Europe for the next couple of years. In March 2022, the group issued the bumping "May the Funk Be with You" followed by "Victory Dance" in June. In November, the quintet released its sophomore full-length, Where I'm Meant to Be. They became the first jazz band to win the Mercury Prize for their efforts. The band toured in 2023, playing clubs across the globe. In September 2024 they released Dance, No One's Watching, inspired by the dancers in those clubs.

Formed in London in 2016 by Femi Koleoso (drums), his brother, TJ Koleoso (bass), Joe Armon-Jones (keys), Dylan Jones (trumpet), and James Mollison (saxophone), the group first made a name for themselves on the underground London jazz scene. Using elements of Afrobeat, hip-hop, grime, R&B, and jazz, the five-piece delivered their debut EP, Chapter 7, in 2016. A follow-up, Juan Pablo: The Philosopher, appeared a year later and was picked up by Gilles Peterson and awarded "Best Album" at his own Worldwide Awards.

With the London jazz scene going through a renaissance, the Ezra Collective, along with the likes of Kamaal Williams, Sons of Kemet, and the Comet Is Coming, quickly became a hot ticket in the capital, playing sold-out shows across the city and also the country. 2018 saw them pick up gongs for "Best UK Jazz Act" and "Live Experience of the Year" at the Jazz FM awards, and also found them recording their full-length debut. Released in 2019, You Can't Steal My Joy saw the group breathing new life into the jazz scene, with an eclectic mix that drew on all their influences and saw them collaborating with Loyle Carner, Jorja Smith, and Kokoroko. Just before the end of the year, Armon-Jones issued the solo album Turn to Clear View on Brownswood.

The reaction to You Can't Steal My Joy from England's nu-jazz scene was immediate, and it caught on with funk, R&B, and even some EDM DJs and got substantial radio play. Ezra Collective toured Great Britain and some European venues. While the musicians all did session work. Femi worked with Smith, Nubya Garcia, and Sarah Tandy, while Armon-Jones played with Tony Allen and Hugh Masekela, and Seed Ensemble, while Mollison played in the keyboardist's solo group and Cykada. Jones also played in Armon-Jones' quintet, and with Ashley Henry.

At the end of 2020, the Collective's "Quest for Coin II" EP, in collaboration with JME and Swindle (it earned the designation "hottest record of the year" from BBC Radio 1 DJ, Annie Mac), was released. In 2021, they resumed playing live gigs and did some very limited touring. Just before the year's close, they delivered "More Than a Hustler" in collaboration with rapper Novelist. Ezra Collective re-established their prime role on the club scene in 2022, though the venues were often a lot larger. They also played summer jazz festival stages in Europe. In November, Ezra Collective released their sophomore full-length, Where I'm Meant to Be, on the Partisan label. The 14-song set crisscrossed Afrobeat, jazz, funk, and hip-hop; it featured guest spots from Kojey Radical, Emeli Sande, Nao, and Sampa the Great on first single "Life Goes On." The video for the latter was shot alternately in London, England, and Lusaka, Zambia, by director Nathan Miller. Met with almost unanimous critical acclaim, steady airplay, and excellent sales, Where I'm Meant to Be was awarded the annual Mercury Prize in September 2023, naming it the best album released in the United Kingdom in 2022. It marked the very first time a jazz recording won the prize.

They toured the globe for the rest of 2022 and much of 2023, playing large clubs from Lagos to Sydney, from Chicago to London. The dancefloor punters directly inspired new music from Ezra Collective. In September 2024 they released the long-player Dance, No One's Watching. While recording the 19-song set at Abbey Road Studios, they were visited by friends, colleagues, and family. They enlisted some of those visitors on the singles "God Gave Me Feet for Dancing" (feat. Yazmin Lacey), "Streets Is Calling" (feat. M.anifest & Moonchild Sanelly), and "No One's Watching Me" (feat. Olivia Dean). ~ Rich Wilson

Moonchild Sanelly is an electrifying performer from South Africa who refers to her music as future ghetto punk. Known for her outspoken views on female empowerment and sexual positivity, she sings in Xhosa and English over productions drawing from house and dance-pop as well as hip-hop and dancehall. Following the release of her 2015 debut full-length, Rabulapha!, she became a celebrity in her home country, and reached international audiences through her appearances on releases by Beyoncé, Gorillaz, Major Lazer, and others. Her second album, 2022's Phases, incorporated South African dance genres like gqom and amapiano as well as left-field pop. Full Moon, described by the artist as her rawest and most honest work, arrived in 2025.

Sanelisiwe Twisha was born in Port Elizabeth in 1987. She moved to Durban in 2005 to study fashion, and she later launched a clothing line called Moonchild Cultwear. She began performing in Durban in 2006, blending poetry with her family's background in hip-hop, jazz, and kwaito. She frequently appeared on Poetry with King Siso, a weekly program on Durban radio station Gagasi FM. Her work with DJ Shimza brought her to the attention of Red Bull, which booked her for their music festivals and sponsored her recordings. Based in Johannesburg, Moonchild Sanelly released her debut album, Rabulapha!, in 2015, and subsequently issued songs with Jay Cubed, DJ Maphorisa, Missu, and others.

In 2018, she was featured on Die Antwoord's European tour, and she reached a much greater level of international exposure when she was featured on Beyoncé's 2019 soundtrack The Lion King: The Gift. Additionally, she appeared on releases by Africa Express and DJ Lag, and released her EP Nüdes at the end of the year. Sanelly guested on Gorillaz's Song Machine, Season One and Die Antwoord's House of Zef in 2020, as well as Ghetts' Conflict of Interest and Major Lazer's Music Is the Weapon (Reloaded) in 2021. She hosted a talk show, The Madness Method, a BET Africa program that was also made available as a podcast. Sanelly continued releasing singles like "Yebo Teacher" and "Covivi." Her second album, Phases, arrived in 2022, featuring several previously issued singles, often inspired by gqom and amapiano, in addition to more pop-influenced material. Following the album, Sanelly appeared on songs by Jelani Blackman and Ghetts, and released "Kokokokoko" with Jidenna and Theology HD.

In 2024, she collaborated with Self Esteem for the song "Big Man." Her third album, Full Moon, was released in early 2025. According to Sanelly, her previous efforts represented different sides of her, while Full Moon is the arrival of her whole self, and everything she's been through. ~ Paul Simpson