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Giovanni Sollima & Orchestra Filarmonica della Calabria

J.S. Bach: Cello Suites

Giovanni Sollima & Orchestra Filarmonica della Calabria

53 SONGS • 3 HOURS AND 1 MINUTE • OCT 28 2024

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
1
Suite No. 1 in G Major, BWV 1007: I. Prélude
02:21
2
Suite No. 1 in G Major, BWV 1007: II. Allemande
04:13
3
Suite No. 1 in G Major, BWV 1007: III. Courante
02:13
4
Suite No. 1 in G Major, BWV 1007: IV. Sarabande
02:43
5
Suite No. 1 in G Major, BWV 1007: V. Menuet I and II
02:52
6
Suite No. 1 in G Major, BWV 1007: VI. Gigue
01:27
7
Suite No. 2 in D Minor, BWV 1008: I. Prélude
03:34
8
Suite No. 2 in D Minor, BWV 1008: II. Allemande
03:20
9
Suite No. 2 in D Minor, BWV 1008: III. Courante
01:45
10
Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
04:14
11
Suite No. 2 in D Minor, BWV 1008: V. Menuet I and II
03:00
12
Suite No. 2 in D Minor, BWV 1008: VI. Gigue
02:22
13
Suite No. 3 in C Major, BWV 1009: I. Prélude
02:59
14
Suite No. 3 in C Major, BWV 1009: II. Allemande
03:28
15
Suite No. 3 in C Major, BWV 1009: III. Courante
02:24
16
Suite No. 3 in C Major, BWV 1009: IV. Sarabande
03:35
17
Suite No. 3 in C Major, BWV 1009: V. Bourrée I and II
02:58
18
Suite No. 3 in C Major, BWV 1009: VI. Gigue
02:54
19
Suite No. 4 in E-Flat Major, BWV 1011: I. Prélude
03:13
20
Suite No. 4 in E-Flat Major, BWV 1011: II. Allemande
04:00
21
Suite No. 4 in E-Flat Major, BWV 1011: III. Courante
03:10
22
Suite No. 4 in E-Flat Major, BWV 1011: IV. Sarabande
03:44
23
Suite No. 4 in E-Flat Major, BWV 1011: V. Bourrée I and II
04:09
24
Suite No. 4 in E-Flat Major, BWV 1011: VI. Gigue
02:23
25
Suite No. 5 in C Minor, BWV 1011: I. Prélude
05:13
26
Suite No. 5 in C Minor, BWV 1011: II. Allemande
04:32
27
Suite No. 5 in C Minor, BWV 1011: III. Courante
02:10
28
Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
02:52
29
Suite No. 5 in C Minor, BWV 1011: V. Gavotte I and II
04:26
30
Suite No. 5 in C Minor, BWV 1011: VI. Gigue
02:36
31
Suite No. 6 in D Major, BWV 1012: I. Prélude
03:42
32
Suite No. 6 in D Major, BWV 1012: II. Allemande
07:12
33
Suite No. 6 in D Major, BWV 1012: III. Courante
03:13
34
Suite No. 6 in D Major, BWV 1012: IV. Sarabande
04:18
35
Suite No. 6 in D Major, BWV 1012: V. Gavotte I and II
03:42
36
Suite No. 6 in D Major, BWV 1012: VI. Gigue
03:40
37
Horizons (Genesis, Foxtrot, 1972) for Cello Solo
01:21
38
Partita di gavote sopra un Basso
08:59
39
Gigue from Suite No. 1 for Cello and Piano
01:31
40
Aparecidos for Cello Solo
02:50
41
Sonata II da "trattenimento musicale sopra il violoncello"for Cello Solo
03:56
42
Jook-Urr-Pa for Cello Solo
04:15
43
Gigue from Suite No. 3 for Cello and Piano
02:51
44
Logan Water da "40 Favorite Scotch Air
02:08
45
46
47
48
49
50
51
52
Allemanda
02:48
53
J.S. Bach: Cello Suites
00:00
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Artist bios

Giovanni Sollima is an Italian cellist and composer known for his eclectic post-minimalist style and collaborations with diverse artists from several genres. Also a scholar and educator, he teaches at the Accademia Nazionale di Santa Cecilia.

Sollima was born in Palermo, Sicily, in 1962, to a musical family. His siblings are musicians, and his father, Eliodoro Sollima, was a pianist and composer. Sollima started studying the cello with Giovanni Perriera when he was ten years old, and he also began exploring composition with his father. After graduating from the Conservatory of Palermo, he continued his education with cellist Antonio Janigro at the Universität Mozarteum Salzburg, followed by composition lessons with Milko Kelemen at the Musikhochschule Stuttgart. Although he was active as a composer since the late '70s, his first work to be recorded was Violoncelles, Vibrez! in 1998, and he also released his debut album, Aquilarco, that same year. In 1999, he appeared on the album Concertos for the Kingdom of the Two Sicilies with Eivind Aadland and the European Union Chamber Orchestra as the soloist on Porpora's Cello Concerto in G Major. Sollima returned as a composer and performer in 2000 with the albums Spasimo and Viaggio in Italia, and he also made his debut at Carnegie Hall, where he performed Viaggio in Italia with the Lark Quartet. Additionally, his music was used in the score to the film I Cento Passi. Sollima's opera Ellis Island was premiered in Palermo at the Teatro Massimo in 2002, and in 2005 he released Works, which showcased several commissions including Caravaggio, J. Beuys Song, and Songs from the Divine Comedy. Sollima's Terra Aria and Concerto Rotondo were used in Lasse Gjertsen's video Daydream in 2007, and in 2008 he released We Were Trees with cellist Monika Leskovar, and the improvisation-laden Astrolabioanima with Alessandro Gandola on saxophone.

By this time, Sollima was teaching at the Romanino Foundation Brescia, and he was appointed the title of Academic at the Accademia Nazional di Santa Cecilia in 2010. Two years later, Sollima co-founded the 100 Cellos ensemble with Enrico Melozzi, and he appeared on the album Neapolitan Cello Concertos with Antonio Florio and I Turchini. He appeared on several other albums in the 2010s, including Offenbach: Cello Duets with Andrea Noferini, Giovanni Battista Costanzi: Sonate per violoncello, and the 100 Cellos' crossover debut 100 Cellos Live. Three years after the release of Elgar: Cello Concerto; Enigma Variations in 2021, Sollima's Concerto for violin, lute, percussion & strings ("Tyche") was presented on Suite italienne: Vivaldi, Sollima, Stravinsky, and he also released Giovanni Sollima: Al-Bunduqiyya - The Lost Concerto, which featured his artistry as a performer, composer, and improviser. ~ RJ Lambert

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Language of performance
English
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