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British cellist Sheku Kanneh-Mason won the prestigious BBC Young Musician of the Year competition in 2016 when he was just 17 years old, performing Shostakovich's fiendish Cello Concerto No. 1. The first Black musician to win the competition in its 38-year history, Kanneh-Mason was born and raised in a suburb of Nottingham, England. The third of seven siblings who all turned out to be exceptionally musically talented, he was inspired initially by his eldest sister Isata, who showed an early aptitude for the piano and was accepted at the age of eight into the Royal Academy of Music's junior department. Following in her footsteps, Sheku took up the cello at the age of six, and, aged nine, won a scholarship to also attend the Royal Academy. He joined Chineke, Europe's first BAME (Black and minority ethnic) classical orchestra, and, together with Isata and his violinist brother Braimah, formed the Kanneh-Mason Trio, appearing in 2015 on Britain's Got Talent. His experience on the show prepared him for Young Musician's relatively sedate televised segments. After winning Young Musician, where his playing immediately drew comparisons with Jacqueline du Pré, he was signed by Decca. His 2018 debut album Inspiration featured the Shostakovich concerto along with other classical pieces and his own versions of songs by Bob Marley and Leonard Cohen. It became the first debut album by a Young Musician winner to chart, entering the U.K. pop rankings at number 18. That same spring, he and an orchestra performed for guests at the wedding of Prince Harry and Meghan Markle while the couple signed the register. ~ John D. Buchanan

Camille Saint-Saëns was something of an anomaly among French composers of the nineteenth century in that he wrote in virtually all genres, including opera, symphonies, concertos, songs, sacred and secular choral music, solo piano, and chamber music. He was generally not a pioneer, though he did help to revive some earlier and largely forgotten dance forms, like the bourée and gavotte. He was a conservative who wrote many popular scores scattered throughout the various genres: the Piano Concerto No. 2, Symphony No. 3 ("Organ"), the symphonic poem Danse macabre, the opera Samson et Dalila, and probably his most widely performed work, The Carnival of The Animals. While he remained a composer closely tied to tradition and traditional forms in his later years, he did develop a more arid style, less colorful and, in the end, less appealing. He was also a poet and playwright of some distinction.

Saint-Saëns was born in Paris on October 9, 1835. He was one of the most precocious musicians ever, beginning piano lessons with his aunt at two-and-a-half and composing his first work at three. At age seven he studied composition with Pierre Maledin. When he was ten, he gave a concert that included Beethoven's Third Piano Concerto, Mozart's B flat Concerto, K. 460, along with works by Bach, Handel, and Hummel. In his academic studies, he displayed the same genius, learning languages and advanced mathematics with ease and celerity. He would also develop keen, lifelong interests in geology and astronomy.

In 1848, he entered the Paris Conservatory and studied organ and composition, the latter with Halévy. By his early twenties, following the composition of two symphonies, he had won the admiration and support of Berlioz, Liszt, Gounod, Rossini, and other notable figures. From 1853 to 1876, he held church organist posts; he also taught at the École Niedermeyer (1861-1865). He composed much throughout his early years, turning out the 1853 Symphony in F ("Urbs Roma"), a Mass (1855) and several concertos, including the popular second, for piano (1868).

In 1875, Saint-Saëns married the 19-year-old Marie Truffot, bringing on perhaps the saddest chapter in his life. The union produced two children who died within six weeks of each other, one from a four-story fall. The marriage ended in 1881. Oddly, this dark period in his life produced some of his most popular works, including Danse macabre (1875) and Samson et Dalila (1878). After the tragic events of his marriage, Saint-Saëns developed a fondness for Fauré and his family, acting as a second father to Fauré's children.

But he also remained very close to his mother, who had opposed his marriage. When she died in 1888, the composer fell into a deep depression, even contemplating suicide for a time. He did much travel in the years that followed and developed an interest in Algeria and Egypt, which eventually inspired him to write Africa (1891) and his Piano Concerto No. 5, the "Egyptian". He also turned out works unrelated to exotic places, such as his popular and most enduring serious composition, the Symphony No. 3.

Curiously, after 1890, Saint-Saëns' music was regarded with some condescension in his homeland, while in England and the United States he was hailed as France's greatest living composer well into the twentieth century. Saint-Saëns experienced an especially triumphant concert tour when he visited the U.S. in 1915. In the last two decades of his life, he remained attached to his dogs and was largely a loner. He died in Algeria on December 16, 1921.