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Eldbjørg Hemsing is a Norwegian violinist admired for her charismatic and sophisticated interpretations of Norwegian and contemporary repertoire. Additionally, she is co-founder of the annual Hemsing Music Festival, artistic director of the SPIRE art competition, and senior artistic advisor of the Advisory Board for the Arts research firm. She was born in 1990, in Valdres, Norway, and she began learning the violin and hardanger fiddle from her mother, Bente Hemsing, when she was around five years old. Hemsing learned at a rapid pace, and after one year, she made her debut at the National Theater with the royal family present in the audience. When she was seven, she became a student at the Barratt Due Institute of Music, where she studied with Alf Richard Kraggerud and Stephan Barratt-Due. She sought further refinement and began studies with Boris Kuschnir in 2008, and she placed third in the Eurovision Young Musicians Competition of that year. She also started collaborations with composer Tan Dun and premiered his violin concertos The Love and Fire Ritual in 2010. She appeared on the album Varde with her older sister Ragnhild Hemsing in the following year, and she performed at the 2012 Nobel Peace Prize ceremony. By this time, Hemsing was very well known in Norway through her frequent performances on Norwegian radio and TV. Her debut album, Borgström: Violin Concerto Op. 25; Shostakovich: Violin Concerto No. 1 with Olari Elts and the Wiener Symphoniker, was released in 2018, and it was very well received by critics. Months later, she also released Dvorák: Violin Concerto; Suk: Fantasy & Love Songs, followed by Tan Dun: Fire Ritual - Violin Concertos in 2019, which earned her a Spellemann award nomination. She’s in high demand as a soloist, and in 2020, she performed with the Hong Kong Philharmonic, the Vancouver Symphony, the Zürcher Kammerorchester, and several other major ensembles. Hemsing signed a recording contract with the Sony Classical label in 2021 and released the single Winter Meditation with the Hestia Quartet. She won an Opus Klassik Award for her 2023 album Arctic, and in 2024, she released Rolf Wallin: Five Seasons; Whirld; Stride; Spirit with Wu Wei and Andris Poga. ~ RJ Lambert

In his day, Johann Sebastian Bach was better known as a virtuoso organist than as a composer. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time.

Bach was born in Eisenach in 1685. He was taught to play the violin and harpsichord by his father, Johann Ambrosius, a court trumpeter in the service of the Duke of Eisenach. Young Johann was not yet ten when his father died, leaving him orphaned. He was taken in by his recently married oldest brother, Johann Christoph, who lived in Ohrdruf. Because of his excellent singing voice, Bach attained a position at the Michaelis monastery at Lüneberg in 1700. His voice changed a short while later, but he stayed on as an instrumentalist. After taking a short-lived post in Weimar in 1703 as a violinist, Bach became organist at the Neue Kirche in Arnstadt (1703-1707). His relationship with the church council was tenuous as the young musician often shirked his responsibilities, preferring to practice the organ. One account describes a four-month leave granted Bach to travel to Lubeck, where he would familiarize himself with the music of Dietrich Buxtehude. He returned to Arnstadt long after he was expected and much to the dismay of the council. He then briefly served at St. Blasius in Mühlhausen as organist, beginning in June 1707, and married his cousin, Maria Barbara Bach, that fall. Bach composed his famous Toccata and Fugue in D minor (BWV 565) and his first cantatas while in Mühlhausen, but quickly outgrew the musical resources of the town. He next took a post for the Duke of Sachsen-Weimar in 1708, serving as court organist and playing in the orchestra, eventually becoming its leader in 1714. He wrote many organ compositions during this period, including his Orgel-Büchlein, and also began writing the preludes and fugues that would become Das wohltemperierte Klavier (The Well-Tempered Klavier). Owing to politics between the Duke and his officials, Bach left Weimar and secured a post in December 1717 as Kapellmeister at Köthen. In 1720, Bach's wife suddenly died, leaving him with four children (three others had died in infancy). A short while later, he met his second wife, soprano Anna Magdalena Wilcke, whom he married in December 1721. She would bear 13 children, though only five would survive childhood. The six Brandenburg Concertos (BWV 1046-51), among many other secular works, date from his Köthen years. Bach became Kantor of the Thomas School in Leipzig in May 1723 (after the post was turned down by Georg Philipp Telemann) and held the position until his death. It was in Leipzig that he composed the bulk of his religious and secular cantatas. Bach eventually became dissatisfied with this post, not only because of its meager financial rewards, but also because of onerous duties and inadequate facilities. Thus he took on other projects, chief among which was the directorship of the city's Collegium Musicum, an ensemble of professional and amateur musicians who gave weekly concerts, in 1729. He also became music director at the Dresden Court in 1736, in the service of Frederick Augustus II; though his duties were vague and apparently few, they allowed him the freedom to compose what he wanted. Bach began making trips to Berlin in the 1740s, not least because his son Carl Philipp Emanuel served as a court musician there. The Goldberg Variations, one of the few pieces by Bach to be published in his lifetime, appeared in 1741. In May 1747, the composer was warmly received by King Frederick II of Prussia, for whom he wrote the gloriously abstruse Musical Offering (BWV 1079). Among Bach's last works was his 1749 Mass in B minor. Besieged by diabetes, he died on July 28, 1750. ~ Robert Cummings