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Johann Sebastian Bach

20th Century Recordings: Bach

Johann Sebastian Bach

85 SONGS • 3 HOURS AND 44 MINUTES • DEC 18 2024

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
1
J.S. Bach: Concerto for 2 Harpsichords, Strings, and Continuo in C minor, BWV 1060 - Reconstructed for oboe & violin by Franz Giegling: 1. Allegro
05:39
2
J.S. Bach: Concerto for 2 Harpsichords, Strings, and Continuo in C minor, BWV 1060 - Reconstructed for oboe & violin by Franz Giegling: 2. Adagio
06:37
3
J.S. Bach: Concerto for 2 Harpsichords, Strings, and Continuo in C minor, BWV 1060 - Reconstructed for oboe & violin by Franz Giegling: 3. Allegro
04:10
4
J.S. Bach: Orchestral Suite No. 1 in C Major, BWV. 1066: I. Ouverture
05:38
5
J.S. Bach: Orchestral Suite No. 1 in C Major, BWV. 1066: II. Courante
01:59
6
J.S. Bach: Orchestral Suite No. 1 in C Major, BWV. 1066: III. Gavotte I alternativement - IV. Gavotte II
02:44
7
J.S. Bach: Orchestral Suite No. 1 in C Major, BWV. 1066: V. Forlane
01:13
8
J.S. Bach: Orchestral Suite No. 1 in C Major, BWV. 1066: VI. Menuet I alternativement - VII. Menuet II
03:08
9
J.S. Bach: Orchestral Suite No. 1 in C Major, BWV. 1066: VIII. Bourrée I alternativement - IX. Bourée II
02:21
10
J.S. Bach: Orchestral Suite No. 1 in C Major, BWV. 1066: X. Passepied I alternativement - XI. Passepied II
02:27
11
J.S. Bach: Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
06:10
12
J.S. Bach: Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
01:58
13
J.S. Bach: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
02:54
14
J.S. Bach: Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrée I alternativement - V. (Bourrée) II
01:57
15
J.S. Bach: Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Polonaise - VIa. Double
03:40
16
J.S. Bach: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Menuet
01:31
17
J.S. Bach: Orchestral Suite No. 2 in B Minor, BWV 1067: VIII. Badinerie
01:34
18
J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
04:50
19
J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture - Vite
06:06
20
J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte I alternativement - IV. (Gavotte) II
03:19
21
J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: V. Bourrée
01:12
22
J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: VI. Gigue
02:54
23
J.S. Bach: Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture
07:22
24
J.S. Bach: Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourrée I alternativement - III. Bourrée II
02:40
25
J.S. Bach: Orchestral Suite No. 4 in D Major, BWV 1069: IV. Gavotte
02:03
26
J.S. Bach: Orchestral Suite No. 4 in D Major, BWV 1069: V. Menuet I alternativement - VI. Menuet II
03:55
27
J.S. Bach: Orchestral Suite No. 4 in D Major, BWV 1069: VII. Réjouissance
02:42
28
J.S. Bach: Goldberg Variations, BWV 988: Aria
04:49
29
J.S. Bach: Goldberg Variations, BWV 988: Var. 1
01:43
30
J.S. Bach: Goldberg Variations, BWV 988: Var. 2
01:36
31
J.S. Bach: Goldberg Variations, BWV 988: Var. 3 (Canone all'Unisono)
01:42
32
J.S. Bach: Goldberg Variations, BWV 988: Var. 4
01:00
33
J.S. Bach: Goldberg Variations, BWV 988: Var. 5
01:11
34
J.S. Bach: Goldberg Variations, BWV 988: Var. 6 (Canone alla Seconda)
00:51
35
J.S. Bach: Goldberg Variations, BWV 988: Var. 7
01:45
36
J.S. Bach: Goldberg Variations, BWV 988: Var. 8
01:37
37
J.S. Bach: Goldberg Variations, BWV 988: Var. 9 (Canone alla Terza)
01:42
38
J.S. Bach: Goldberg Variations, BWV 988: Var. 10 (Fughetta)
01:28
39
J.S. Bach: Goldberg Variations, BWV 988: Var. 11
01:30
40
J.S. Bach: Goldberg Variations, BWV 988: Var. 12 (Canone alla Quarta)
02:09
41
J.S. Bach: Goldberg Variations, BWV 988: Var. 13
02:43
42
J.S. Bach: Goldberg Variations, BWV 988: Var. 14
01:49
43
J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (Canone alla Quinta in moto contrario)
05:36
44
J.S. Bach: Goldberg Variations, BWV 988: Var. 16 (Ouverture)
02:48
45
J.S. Bach: Goldberg Variations, BWV 988: Var. 17
01:40
46
J.S. Bach: Goldberg Variations, BWV 988: Var. 18 (Canone alla Sesta)
01:16
47
J.S. Bach: Goldberg Variations, BWV 988: Var. 19
00:54
48
J.S. Bach: Goldberg Variations, BWV 988: Var. 20
01:30
49
J.S. Bach: Goldberg Variations, BWV 988: Var. 21 (Canone alla Settima)
03:45
50
J.S. Bach: Goldberg Variations, BWV 988: Var. 22 (Alla breve)
01:16
51
J.S. Bach: Goldberg Variations, BWV 988: Var. 23
01:53
52
J.S. Bach: Goldberg Variations, BWV 988: Var. 24 (Canone all'Ottava)
02:03
53
J.S. Bach: Goldberg Variations, BWV 988: Var. 25
11:06
54
J.S. Bach: Goldberg Variations, BWV 988: Var. 26
01:48
55
J.S. Bach: Goldberg Variations, BWV 988: Var. 27 (Canone alla Nona)
01:32
56
J.S. Bach: Goldberg Variations, BWV 988: Var. 28
01:40
57
J.S. Bach: Goldberg Variations, BWV 988: Var. 29
01:33
58
J.S. Bach: Goldberg Variations, BWV 988: Var. 30 (Quodlibet)
01:40
59
J.S. Bach: Goldberg Variations, BWV 988: Aria da Capo
04:52
60
J.S. Bach: French Suite No. 1 in D Minor, BWV 812: I. Allemande
02:46
61
J.S. Bach: French Suite No. 1 in D Minor, BWV 812: II. Courante
01:46
62
J.S. Bach: French Suite No. 1 in D Minor, BWV 812: III. Sarabande
04:05
63
J.S. Bach: French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - II
01:09
64
J.S. Bach: French Suite No. 1 in D Minor, BWV 812: V. Gigue
02:00
65
J.S. Bach: French Suite No. 1 in D Minor, BWV 812: VI. Gigue
02:55
66
J.S. Bach: French Suite No. 2 in C Minor, BWV 813: I. Allemande
02:12
67
J.S. Bach: French Suite No. 2 in C Minor, BWV 813: II. Courante
01:54
68
J.S. Bach: French Suite No. 2 in C Minor, BWV 813: III. Sarabande
03:49
69
J.S. Bach: French Suite No. 2 in C Minor, BWV 813: IX. Air
01:15
70
J.S. Bach: French Suite No. 2 in C Minor, BWV 813: V. Menuet I - VI. Menuet II
01:33
71
J.S. Bach: French Suite No. 2 in C Minor, BWV 813: VII. Gigue
01:59
72
J.S. Bach: French Suite No. 3 in B Minor, BWV 814: I. Allemande
02:26
73
J.S. Bach: French Suite No. 3 in B Minor, BWV 814: II. Courante
01:56
74
J.S. Bach: French Suite No. 3 in B Minor, BWV 814: III. Sarabande
04:06
75
J.S. Bach: French Suite No. 3 in B Minor, BWV 814: IV. Anglaise
01:25
76
J.S. Bach: French Suite No. 3 in B Minor, BWV 814: V. Menuet
02:55
77
J.S. Bach: French Suite No. 3 in B Minor, BWV 814: VI. Gigue
01:24
78
J.S. Bach: French Suite No. 3 in B Minor, BWV 814: VII. Gigue
01:45
79
J.S. Bach: French Suite No. 4 in E-Flat Major, BWV 815: I. Allemande
02:10
80
J.S. Bach: French Suite No. 4 in E-Flat Major, BWV 815: II. Courante
01:49
81
J.S. Bach: French Suite No. 4 in E-Flat Major, BWV 815: III. Sarabande
03:39
82
J.S. Bach: French Suite No. 4 in E-Flat Major, BWV 815: IV. Gavotte
01:34
83
J.S. Bach: French Suite No. 4 in E-Flat Major, BWV 815: V. Menuet
01:32
84
J.S. Bach: French Suite No. 4 in E-Flat Major, BWV 815: VI. Air
01:24
85
J.S. Bach: French Suite No. 4 in E-Flat Major, BWV 815: VII. Gigue
02:10
℗ 2024 UMG Recordings, Inc. FP © 2024 UMG Recordings, Inc.

Artist bios

In his day, Johann Sebastian Bach was better known as a virtuoso organist than as a composer. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time.

Bach was born in Eisenach in 1685. He was taught to play the violin and harpsichord by his father, Johann Ambrosius, a court trumpeter in the service of the Duke of Eisenach. Young Johann was not yet ten when his father died, leaving him orphaned. He was taken in by his recently married oldest brother, Johann Christoph, who lived in Ohrdruf. Because of his excellent singing voice, Bach attained a position at the Michaelis monastery at Lüneberg in 1700. His voice changed a short while later, but he stayed on as an instrumentalist. After taking a short-lived post in Weimar in 1703 as a violinist, Bach became organist at the Neue Kirche in Arnstadt (1703-1707). His relationship with the church council was tenuous as the young musician often shirked his responsibilities, preferring to practice the organ. One account describes a four-month leave granted Bach to travel to Lubeck, where he would familiarize himself with the music of Dietrich Buxtehude. He returned to Arnstadt long after he was expected and much to the dismay of the council. He then briefly served at St. Blasius in Mühlhausen as organist, beginning in June 1707, and married his cousin, Maria Barbara Bach, that fall. Bach composed his famous Toccata and Fugue in D minor (BWV 565) and his first cantatas while in Mühlhausen, but quickly outgrew the musical resources of the town. He next took a post for the Duke of Sachsen-Weimar in 1708, serving as court organist and playing in the orchestra, eventually becoming its leader in 1714. He wrote many organ compositions during this period, including his Orgel-Büchlein, and also began writing the preludes and fugues that would become Das wohltemperierte Klavier (The Well-Tempered Klavier). Owing to politics between the Duke and his officials, Bach left Weimar and secured a post in December 1717 as Kapellmeister at Köthen. In 1720, Bach's wife suddenly died, leaving him with four children (three others had died in infancy). A short while later, he met his second wife, soprano Anna Magdalena Wilcke, whom he married in December 1721. She would bear 13 children, though only five would survive childhood. The six Brandenburg Concertos (BWV 1046-51), among many other secular works, date from his Köthen years. Bach became Kantor of the Thomas School in Leipzig in May 1723 (after the post was turned down by Georg Philipp Telemann) and held the position until his death. It was in Leipzig that he composed the bulk of his religious and secular cantatas. Bach eventually became dissatisfied with this post, not only because of its meager financial rewards, but also because of onerous duties and inadequate facilities. Thus he took on other projects, chief among which was the directorship of the city's Collegium Musicum, an ensemble of professional and amateur musicians who gave weekly concerts, in 1729. He also became music director at the Dresden Court in 1736, in the service of Frederick Augustus II; though his duties were vague and apparently few, they allowed him the freedom to compose what he wanted. Bach began making trips to Berlin in the 1740s, not least because his son Carl Philipp Emanuel served as a court musician there. The Goldberg Variations, one of the few pieces by Bach to be published in his lifetime, appeared in 1741. In May 1747, the composer was warmly received by King Frederick II of Prussia, for whom he wrote the gloriously abstruse Musical Offering (BWV 1079). Among Bach's last works was his 1749 Mass in B minor. Besieged by diabetes, he died on July 28, 1750. ~ Robert Cummings

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