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The WDR Sinfonieorchester Köln, or West German Radio Symphony Orchestra of Cologne, is one of Germany's leading symphony orchestras. The group plays the music of various periods but has specialized in contemporary music, a specialty made possible by the fact that the WDR network also maintains another orchestra, the WDR Rundfunkorchester Köln, that performs lighter music and pops material.

The broadcast of orchestral music on the radio in Cologne dates back almost to the foundation of the Richessender Köln radio station in 1927. After World War II, Allied administrators announced the breakup of the central broadcasting of the Nazi era in favor of a system of regional broadcasters that persists today. The Kölner Rundfunk-Sinfonie-Orchester was established to serve the new Nordwestdeutscher Rundfunk (Northwest German Radio), in 1947; the name was changed to WDR Sinfonieorchester Köln in the 1990s. In the beginning, the group hosted only guest conductors, but since 1964, when Christoph von Dohnányi was named principal conductor, the orchestra has reliably spawned international conducting careers. Recent principal conductors have included Hans Vonk (1991-1997), Semyon Bychkov (1997-2010), Jukka-Pekka Saraste (2010-2019), and, since 2019, Cristian Macelaru. Guest conductors have included international greats: Herbert von Karajan, Karl Böhm, and Zubin Mehta, among others. The orchestra's contemporary music specialty dates back many years and has included premieres of works by Luciano Berio, Hans Werner Henze, and Karlheinz Stockhausen. This tendency, along with the WDR's maintenance of its own electronic music studio directed for many years by Stockhausen, helped to establish Cologne as a center for contemporary music. The orchestra performs at the WDR Funkhaus Wallrafplatz and the Kölner Philharmonie.

The WDR Sinfonieorchester Köln has recorded for both German and international labels. In 1989, under frequent guest conductor Günter Wand, the orchestra released recordings of Schubert's Symphony No. 9 in C major, D. 944 ("The Great"), and Bruckner's Symphony No. 5 on RCA Red Seal. The orchestra has also recorded for Wergo, Audite, CPO, and many others. Although quite prolific, with more than 80 recordings to its credit as of the early 2020s, the WDR Sinfonieorchester Köln has not been strongly associated with any single imprint. In 2020, the group released its first two albums on Sony Classical, Beethoven's World, and a release devoted to the violin concertos of Franz Joseph Clement, with violinist Mirijam Contzen and conductor Reinhard Goebel. ~ James Manheim

Andris Nelsons has held major conducting posts on both the concert and operatic stages, and in each realm, has distinguished himself as an incisive interpreter of a broad range of music. Whether conducting Puccini at the Met, Wagner at Bayreuth, or Stravinsky with the City of Birmingham Symphony Orchestra, Nelsons has managed to win over both critics and the public alike. He is the music director of the Boston Symphony Orchestra and the Gewandhausorchester Leipzig. In 2022, Nelsons led the Gewandhausorchester Leipzig in the latest installment of their survey of Bruckner's symphonies on the Deutsche Grammophon label.

Nelsons was born in Riga, Latvia, on November 18, 1978. His parents and stepfather were musicians, and at an early age, Nelsons studied piano but took up the trumpet at 12. He later sang in his mother's early music ensemble and played trumpet in the Latvian National Opera Orchestra. After local studies, Nelsons began studying conducting at the St. Petersburg Conservatory with Alexander Titov. In 2002, he began studying privately with famed conductor Mariss Jansons. Nelsons' orchestral repertory includes large portions of Mozart, Mahler, and Shostakovich. His operatic repertory takes in much Wagner and Puccini, as well as Bizet, Tchaikovsky, and Richard Strauss.

Nelsons has conducted around the globe, including throughout Europe, the U.S., and Japan. He served as principal conductor of the Latvian National Opera from 2003-2007. In 2006, he took on a second important post, this one as chief conductor of the Nordwestdeutsche Philharmonie, a position he held until 2009. From 2007, Nelsons began making regular appearances in the U.K., and that September was named music director of the City of Birmingham Symphony Orchestra, beginning in the 2008-2009 season. He held this post until the conclusion of the 2014-2015 season. 2009 saw Nelsons' debut at the Met, leading a performance of Puccini's Turandot. The following year, Nelsons made his debut at the Bayreuth Festival with a production of Wagner's Lohengrin; this followed a concert performance given in Birmingham with the City of Birmingham Symphony. In 2011, a highly praised reading of Mahler's Ninth Symphony at Carnegie Hall with the Boston Symphony Orchestra marked two more important debuts for Nelsons; this was his first performance at Carnegie Hall and his first time leading the Boston Symphony. Nelsons was named the Boston Symphony's 15th music director in 2014, after several years of guest conducting. In 2018, Nelsons was named the 21st Gewandhauskapellmeister (music director) of the Gewandhausorchester Leipzig.

Nelsons has an exclusive recording contract with the Deutsche Grammophon label but has also recorded for Decca and Orfeo, among others. He has continued to receive acclaim for his recordings, especially those of his continuing surveys of the symphonies of Shostakovich, with the Boston Symphony, and Bruckner (which is paired with music by Wagner), with the Gewandhausorchester Leipzig. In 2020, Nelsons received contract extensions with both groups: the Boston Symphony until 2025 and the Gewandhausorchester Leipzig until 2027. Nelsons led the Gewandhausorchester Leipzig on a recording of Bruckner's first and fifth symphonies with Wagner's Prelude and Liebestod from Tristan and Isolde in 2022. ~ Robert Cummings & Keith Finke

German soprano Mojca Erdmann began her musical career singing in a children's chorus at the Hamburg State Opera. She took voice lessons from Evelyn Herlitzius, and went on to study at the Hochschule für Musik und Tanz Köln, where she worked with Hans Sotin and Ingrid Figur. She competed in the Bundeswettbewerb Gesang Berlin für Oper, where she won the special prize for contemporary music in 2002. She won the Luitpold Prize of the Kissinger Sommer Festival in 2005, and also won the Norddeutscher Rundfunk Music Prize at the Schleswig-Holstein Musik Festival. Among the roles Erdmann has sung are Sempronia in Offenbach's one-act opérette-bouffe, Apothicaire et perruquier, Ariadne in Rihm's Dionysos, Despina in Mozart's Così fan tutte, and Zerlina in Don Giovanni. Erdmann received a scholarship from the Deutsche Akademie Rom Villa Massimo in 2018, and was in residence in early spring, working on various projects. Erdmann has recorded for Deutsche Grammophon, Capriccio Records, CPO, RCA Red Seal, Onyx Classics, and Orfeo. ~ Blair Sanderson