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Rudolf Moralt

Offenbach: Les contes d'Hoffmann (Sung in German)

Rudolf Moralt

42 SONGS • 2 HOURS AND 15 MINUTES • SEP 01 2014

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
4
Les contes d'Hoffmann (Sung in German), Act I, Prologue: Juvallera! Herr Luther, wir sind da!
02:43
5
Les contes d'Hoffmann (Sung in German), Act I, Prologue: Luther, höre, du dicke Tonne!
02:50
6
Les contes d'Hoffmann (Sung in German), Act I, Prologue: Es war einmal am Hofe von Eisenack
05:11
7
Les contes d'Hoffmann (Sung in German), Act I, Prologue: Finale. Pfui! Dieses Bier ist abscheulich!
04:42
8
Les contes d'Hoffmann (Sung in German), Act I: Entr'acte
01:25
9
Les contes d'Hoffmann (Sung in German), Act I: Da! Ja, sie schläft!
01:39
10
Les contes d'Hoffmann (Sung in German), Act I: Wohlan, nur Mut und Vertrauen
02:05
11
Les contes d'Hoffmann (Sung in German), Act I: Bei Gott! Dacht' ich's doch
01:22
12
Les contes d'Hoffmann (Sung in German), Act I: Er hat 'ne Puppe von Tragant
01:20
13
Les contes d'Hoffmann (Sung in German), Act I: Ich bin's, Coppelius!
01:35
14
Les contes d'Hoffmann (Sung in German), Act I: Habe Brillen
01:27
15
Les contes d'Hoffmann (Sung in German), Act I: Sprichst du auch wahr?
02:31
16
Les contes d'Hoffmann (Sung in German), Act I: Kein andrer Hausherr im Lande
02:03
17
Les contes d'Hoffmann (Sung in German), Act I: Gleich stelle ich sie vor
03:30
18
Les contes d'Hoffmann (Sung in German), Act I: Phöbus stolz im Sonnenwagen
06:11
19
Les contes d'Hoffmann (Sung in German), Act I: Ach, teurer Freund, welch ein Sang!
02:18
20
Les contes d'Hoffmann (Sung in German), Act I: Ach, endlich sind sie fort!
03:54
21
Les contes d'Hoffmann (Sung in German), Act I: Es wird schon getanzt!
05:18
22
Les contes d'Hoffmann (Sung in German), Act II: Schöne Nacht, du Liebesnacht "Barkarole"
03:49
23
Les contes d'Hoffmann (Sung in German), Act II: Genug! Nicht susse Tändelei
01:53
24
Les contes d'Hoffmann (Sung in German), Act II: Ich seh', man amüsiert sich vortrefflich!
01:59
25
Les contes d'Hoffmann (Sung in German), Act II: Ja, geht! Der Kampf mag beginnen!
00:46
26
Les contes d'Hoffmann (Sung in German), Act II: Leuchte, heller Spiegel mir
03:28
27
Les contes d'Hoffmann (Sung in German), Act II: Teurer Engel!
02:52
28
Les contes d'Hoffmann (Sung in German), Act II: Ha, wie ist meiner Seele
04:37
29
Les contes d'Hoffmann (Sung in German), Act II: Schlemihl!
04:32
30
Les contes d'Hoffmann (Sung in German), Act II: Meine Herr'n, hören Sie!
02:56
31
Les contes d'Hoffmann (Sung in German), Act III: Sie entfloh, die Taube so minnig
03:45
32
Les contes d'Hoffmann (Sung in German), Act III: Unglücksel'ges Kind
03:08
33
Les contes d'Hoffmann (Sung in German), Act III: Tag und Nacht verteil' ich mich
02:28
34
Les contes d'Hoffmann (Sung in German), Act III: Hörst du es tonen mit süßer Melodie
07:06
35
Les contes d'Hoffmann (Sung in German), Act III: Was hast du?
02:28
36
Les contes d'Hoffmann (Sung in German), Act III: Gefahren bannt man ohne Muh
06:48
37
Les contes d'Hoffmann (Sung in German), Act III: Nicht mehr singen!
03:25
38
Les contes d'Hoffmann (Sung in German), Act III: Du wirst nicht mehr singen?
04:29
39
Les contes d'Hoffmann (Sung in German), Act III: Du wagst es, die Mutter anzurufen
05:19
40
Les contes d'Hoffmann (Sung in German), Act III: Allmächtiger! Meine Tochter!
03:00
41
Les contes d'Hoffmann (Sung in German), Epilogue: Intermezzo
03:39
42
Les contes d'Hoffmann (Sung in German), Epilogue: Meine drei Lieblingsgeschichten
04:44
℗© 2014: Walhall Eternity Series

Artist bios

Nephew of Richard Strauss, Rudolf Moralt shared something of his uncle's gift for sensitive, non-intrusive conducting. Without question, he was taken for granted by Vienna, whose Staatsoper company he helped rebuild to world standards in the aftermath of World War II. While other maestri with high ambitions constantly worked to increase their share of the limelight, Moralt simply applied himself to strengthening his company. When he was passed over for every one of the new productions scheduled for the re-opening of the Staatsoper building in 1955, he was hurt, and observers, who understood his importance for the city's musical life, were baffled. Moralt studied at Munich University and Academy. At the age of 17, he was hired as a répétiteur at the Munich Staatsoper. In 1923, barely 21, he became conductor at the Kaiserslautern Städtische Oper. craft. From 1932 to 1934, he held the position of music director at the active Deutsches Theater in Brno. In 1934, Moralt went to Brunswick; an engagement in Graz followed in 1937. Also in 1937, he made his debut in Vienna, where he was appointed principal conductor at the Staatsoper three years later. From 1940 to the time of his death in 1958, Moralt proved himself invaluable, as his hard work and unassuming personality helped hold together a ravaged company. In the face of wartime privations and a bombed-out house, the cadre of musicians persisted, setting the new gold standard for Mozart and Strauss. Among the several recordings attesting to Moralt's mastery are a Ring cycle, especially Siegfried and Die Götterdämmerung, taken from live performances in 1948 and 1949. Here, Moralt's lyrical approach draws strong performances from mixed casts -- clearly the work of an excellent conductor. Likewise, extended scenes from Acts I and III of Arabella, recorded with Lisa della Casa in January 1953, establish Moralt as a gifted Straussian. A 1945 recording of Mozart's Die Entführung aus dem Serail by a Vienna Staatsoper ensemble (with Schwarzkopf as Konstanze) is a further testament to Moralt's exceptional gifts.

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Language of performance
German
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